24 Hours in Paris with Loli Events

Both French born, Lauren Fremont and Coralie Prats of Loli Events make gracious living their business. Dempsey & Carroll’s Austin Ackles asked them to share their favorite haunts in our beloved Paris for you to keep in mind for your next trip to the City of Lights!

Where to Stay

Pavillon de la Reine

Where to Eat and Drink

  • Les petits cafés: My love for coffee shops is endless, and thankfully Paris is full of them! My favorite is the Saint Regis Café on Ile Saint Louis because of its authentic style and location–the servers are super fun and the coffee is really good too!
  • Fine Dining: Le Meurice Alain Ducasse is located inside the Palace Hotel Le Meurice and it is truly stunning. Walking into this restaurant is already an experience in itself!
Le Meurice Alain Ducasse

The grand dining room at Le Meurice Alain Ducasse

  • Cocktails: Le Moonshiner is a speakeasy on Rue Sedaine and it is the best place in Paris to drink a good whiskey cocktail! The hidden entrance and retro decor make for a memorable night out.

Le Moonshiner

What to See

  • La Seine Banks: It is always interesting to wander along The River Seine, especially around the two islands, Ile de la Cité and Ile Saint Louis, and along Saint Germain. You will find all kinds of people; joggers, old people with their dogs, lovers, artists, and workers on their way to the office.  During sunsets, the buildings turn into gold and the sky softens with gorgeous shades of pink–I will never get enough of it!

Sylvie-Gil-La Seine

  • The Square Georges-Cain: This is my favorite place in my beloved neighborhood, Le Marais. It is a lovely park in front of a beautiful building and it’s very well maintained–It’s my little heaven on Earth! The location on a quiet street makes it the ideal place to relax outside in the nice weather. The Square George Cain

 

  • Paris doors: How can we not talk about these huge and colorful street doors? I have so many blue doors photos on my phone–they are all different and all majestic!
  • Old little streets & Passages: Paris used to be so differentPassage des Princes back in the day! I’m always very nostalgic when I find a little street and picture the whole city before Haussmann’s renovation in the 19th century. Thankfully, we still have the beautiful Passages like two favorites: Galerie Vivienne and Passage des Princes!
  • Museums: Musée Jacquemart-André is a beautiful hotel particulier in Paris that offers a large collection of private paintings and antique furniture. The grand townhouse is divided into five major parts and it is a wonderful place to explore.

Musée Jacquemart-André

Merci to Lauren and Coralie for letting us in on a few of their Paris favorites!

Where are your favorite destinations to visit in Paris or other cities around the world? Discover our Jet Set Collection to inspire your next trip and use the #DestinationDempsey hashtag on social media to share your travels. 

Spotlight on Erica Beckman

Dempsey & Carroll’s Austin Ackles asked Erica Beckman of Clean Plate Pictures to tell us about her absolute favorite spots for engagement and wedding photos in and around New York City. 

  1. DUMBO/Brooklyn Bridge

The Brooklyn Bridge and DUMBO are classic shooting locations, and for good reason. The bridge itself is iconic, and it’s absolutely stunning at sunrise. The DUMBO neighborhood has an amazing variety of environments in a a small, walkable area. With gorgeous views of the Manhattan skyline, tons of cool graffiti, and lots of cobblestone streets and alleyways, it’s ideal for getting lots of different locations. Even after shooting there for years, I always find something new!

 

  1. Vinegar Hill

Vinegar Hill is right next to DUMBO, so I usually shoot in both locations together. Vinegar Hill is such a colorful neighborhood; it’s filled with brightly painted doors and store fronts and lots of industrial brick and wood textures. It also has tons of my two favorite things: graffiti and vines!

 

  1. Fort Tryon Park

Fort Tryon Park is another hidden gem. Most people immediately think of Central Park when they want a green location in the city, but Fort Tryon is just as gorgeous – and usually a lot less crowded! The gardens there are stunning, especially in the spring, and there are amazing stone structures and steps (plus, it’s got incredible views of Hudson)!

 

  1. Rockwood Hall – Tarrytown, NY

If you’re willing to venture out of the city limits, Tarrytown is just a short train ride away and home to Rockwood Hall Park. The grounds of the former Rockefeller Estate overlook the Hudson River. The ruins of the old mansion are a great spot, and the park is full of these weeping trees that are dreamy to photograph.

 

  1. A Special Location

I love when clients suggest a new location to me. Photographing a location that’s special and unique for them makes the photos that much better, and it’s always a pleasure to find new places! Socrates Sculpture Park in Long Island City was suggested to me by a couple and I was so pleased to see how cool it was – full of awesome structures and with a gorgeous view of the city. Another couple invited me to their country home upstate where we got to shoot in this dreamy, woodsy atmosphere– we even found this amazing covered bridge in the area. I encourage everyone out there to think about spots that are special to you!

Erica BeckmanErica Beckman makes the experience of being photographed easygoing and fun, so couples look and feel happy and relaxed. She started Clean Plate Pictures 8 years ago with the goal of capturing the heart and soul of a celebration, recording the big events as well as unexpected candid moments. Today Erica runs her busy wedding photography business from her studio in the Hudson Valley, photographing weddings all over the Tri-State area.

The U.S Postal Service honors Oscar de la Renta

Fashion meets mail with the beautiful new stamps honoring fashion icon Oscar de la Renta. The official Dedication Ceremony on February 16th, 2017 was a momentous occasion that brought together people from all different industries in honoring the late designer. We were thrilled to attend the event, which featured remarks by Oscar de La Renta CEO Alexander Bolen, Former New York City Mayor Michael Bloomberg, Artistic Director of Conde Nast and Editor-in-Chief of Vogue Anna Wintour, and Secretary Hillary Clinton.

pr17_008

Photo: U.S Postal Service

Janice D. Walker, Vice President of Corporate Communications for USPS, led the official stamp dedication and lauded de la Renta’s innovative designs and leadership in the fashion industry.

“Like Oscar de la Renta, handwritten letters never go out of style,” remarked Walker. The timelessness of handwritten letters rings true as we head into our 139th year as a proud New York company.

odlr

(l-r) Alexander Bolen, Michael Bloomberg, Anna Wintour, Hillary Clinton, Janice Walker, Anderson Cooper (photo: Getty Images)

Following the ceremony, we had a chance to learn more about the stamp design process from Xavier C. Hernandez, a Communications Specialist and spokesperson for the USPS.

Can you tell us a bit more about who decides on the new stamps that are released?

 The stamp development team vets the ideas and does the design work, but the Postmaster General ultimately decides the next catalog of stamps for the year.

 During Anna Wintour’s speech, she exclaimed that de la Renta wasn’t a big letter writer, but how does the USPS see the connection between writing and fashion?

 The greater picture is that the Postal Service likes to honor American icons and their influence on American culture, especially for our commemorative stamp series.

 We’ve found that there is definitely a younger generation celebrating the art of letter writing in the age of emails and text messages. How does the USPS work to keep people interested in sending mail?

 There are so many great stamps out right now because we want to encourage people to write as many letters as possible. We have a JFK stamp coming out on President’s day and we just released new stamps for the Chinese New Year. We like to incorporate all different facets of American culture to be as inclusive as possible.

 It was incredible to see the turnout for this dedication event with people from all different industries!

 It’s wonderful to see a turnout like this for the official release of these commemorative stamp because our goal to bring everyone together. We are lucky that this wound up happening during Fashion Week so it has some relevance to timeliness.

img_4246

Thank you to the U.S Postal Service for the beautiful new stamps honoring Mr. de la Renta. We look forward to adding a fashionable touch to our envelopes!

Spotlight on Marcardin Calligraphy

We sat down with Heather Brock of Marcardin Calligraphy to talk about her beginnings as a calligrapher and how she became inspired to start her own company. 

Q: “Marcardin” is such a unique name. Can you please tell us the significance of why you chose that name for your company?

HB: The name Marcardin is very dear to me because it is the name of an old family estate located in Shelbyville, Kentucky that belonged to us for over 150 years. Much like other homes and farms of that era, the estate was named by its builder, Mark Hardin. Fast forward to the early 1990s and my family was faced with the tough decision to sell it [Marcardin Farms] once my Great Aunt passed away. Most of the family memorabilia was kept in the attic; old letters and notes penned by ancestors, including those from my great uncle Mark Hardin, dated back to around 1856. All of the letters feature beautiful pen and ink calligraphy, and as an adult, the penmanship is my favorite thing to exist from that attic. I’m very fortunate to have such richly documented family history to reflect on. Marcardin, which was once known as Marcardin Farms, is now calligraphy for me.

Q: When did you first learn calligraphy and how did you know that you wanted to do it as a career?

HB: I was probably 10 or 11 when I picked up any sort of calligraphy pen for the very first time. I remember mastering (or so I thought I did) any instructional books I could get my hands on, but I moved on with other art mediums as I grew up. In my 20s I decided to pick up a pen again to learn the refined skill of pointed pen calligraphy in hopes to address my own wedding envelopes some day. When I realized how therapeutic it was to put pen to paper, I knew it was something I wanted to pursue for a long time to come.

envelope-addressed-to-marcardin-estate

An envelope addressed to Marcardin Estate 

Q: How long have you been based in Kentucky? Do you have a wide client base in your area, or does most of your clientele hail from elsewhere? 

HB: I was born and raised (and still reside) in Louisville, Kentucky, so I’ve always stayed put. I am very fortunate to work with some of the absolute best wedding planners and designers in the city and state, so I do get a lot of referrals through them. I also serve nationwide, working with some stationers out of New York City and Los Angeles.

Q: We see that you offer a variety of calligraphy styles for your services. Do you think that there is an even split between interest in more traditional styles versus a more modern look? img_5198

HB: I would say nine times out of ten, my clients choose my Signature style. It’s definitely more modern, but it still gives that flourished feel that can be found in some traditional styles. I’m definitely more of a modern calligrapher; traditional calligraphy, such as Spencerian and Copperplate, can take decades to master. I certainly envy my calligraphy colleagues across the world who have the patience and skill set to achieve those writing principles.

Q: You have done beautiful work on everything from outer and inner envelopes, to escort cards and menus. How do you ensure that your pieces reflect overall aesthetic of the event?
img_0083HB: I love when I’m able to help design an entire invitation suite, so it can be printed or pressed in every which way. I like to start with my bride’s ideas of what she is thinking by getting inspiration photos from her. I’ll go through my series of questions which can turn into a few different pencil sketches before I put ink to paper. I then send my work to my go-to designer to do all the digitizing for me. From there, we meet to make sure everything is set perfectly for print.

 

 

Q: We were thrilled to work with you on pieces for a Dempsey & Carroll wedding recently. How did you first hear about Dempsey & Carroll? 

HB: I was so excited to finally get my chance to calligraph the beautiful paper from Dempsey & Carroll. I’ve seen it [Dempsey & Carroll’s paper] in many areas of the wedding industry, and have always heard great reviews from other calligraphers. The paper is exquisite and I am in love with everything from the texture to the watermark logo– It’s hands down my favorite to write on.

img_4431

Heather’s work for a recent Dempsey & Carroll wedding 

Spotlight on Leo Mascotte, Part II

Austin Ackles sat down with Creative Director, Leo Mascotte, to discuss more of his favorite Dempsey & Carroll wedding suites. 

AA: This wedding took place on a family property in Old Chatham and we drew a marvelous tree the couple was to be married beneath. (The resulting steel engraving die was a sculpture in and of itself!) What makes this wedding suite one of your favorites? 

Forer2

LM: Old Chatham’s charms, to no surprise, are notably old school.  This Columbia County hamlet oozes classic Yankee Town & Country charm, and is home to one of America’s most storied fox hunts, The Old Chatham Hunt Club.  The blind engraved tree motif could not be more inspired.  So too the navy blue and white color palette, classic and crisp, yet decidedly modern for a wedding.  These colors perfectly set the stage for this type of “Down East” event.  As does the Chevalier font, as naturally handsome as the chocolate labs I imagine sleeping under the couple’s table.

Old Chatham Hunt Club jpeg

I Would happily take odds that the weekend felt like a trip back to a cherished campus. The Groom and groomsmen in navy blazers, with Hermes ties chosen to recall shared sport. Radiant and crisp in Oscar de la Renta organza, the bride, seemed to be the source of the reception tent’s glow.  Her mother, effortlessly triumphant spending an evening at home amongst abundant flowers, planned to appear picked from the property’s gardens.

Forer1

 

AA: This wonderful couple was married in the bride’s grandmother’s garden just outside Melbourne, Australia. They loved the watercolors from our Mark Ingram collection (which we used for their save the dates) and they wanted to incorporate them into their wedding suite. I think the colors are delicious! 

Hibbs2

LM: Tasty indeed, the palette reminds me of tea at Laduree, in Paris.  The pale pistachio walled salons filled with a dazzling array of pastel tinted macaroons.  The wedding stationery is kept from getting too sweet by the underlying hint of rich ochre in the custom sand colored ink.

Laduree jpeg

Attention to detail here is remarkable.  Each piece of the extensive suite was engraved, such a wonderful and increasingly rare touch.  Rarer still, each item received edge treatment using a custom pale french pink.  The invitation is set apart by it’s exquisite beveled edge.  My favorite touch is named Henry B. the couple’s beloved Labradoodle.  He sits atop the reply card, bestowing a welcoming glance encouraging all to join.

Hibbs1

 

AA: How we love a perfectly-sized New England church wedding and then a celebration afterwards at a yacht club! This wedding suite is one in a series that is a variation on a very classic theme. How do you see it reinvented this time?

Corbin2

LM: I love the look of this suite almost as much as I revere the venerated yacht club where it was held.  This group sets up a carefully balanced interplay of established forms set off against modern elements.  A generation ago this piece would have been printed on a folded sheet.  Today so rarely used, the foldover’s scarcity may as well predict it’s return to favor.  Here, a stiff Embassy card reflects the current currency of chic.   This nod to today is set in contrast to timeless Italian script.  For me this font remains, the unassailable definition of impeccable old school elegance.   The suite’s painted edges are left un-beveled, at once old school handcraft, and not expected.  The rich pewter ink color manages a similar duality, with Commodore worthy aplomb.

Corbin1

 

AA: Dempsey & Carroll has this long running creative partnership with the legendary firm, Schumacher, and this is a beautiful example of our collaboration. The font here feels old and new to me at the same time. What is it that makes this invitation suite at once breezy and stately?

DeWolf2

LM: This celebrated print “Birds & Butterflies” was based on a hand printed 1960’s wall covering found in Schumacher’s archive.  Available as both a fabric and wallpaper it has a lovely density that never overpowers.  Set amongst charmingly drawn foliage, rendered in spare black on white, a flock of colorful creatures takes flight.

via-F.-Schumacher-Co.-e1430023278533

The Open Antique Roman font almost seems to have been picked from amongst the fabric’s vines.  The letter forms have a polished yet unfussy 1930’s feel.  Designer Thomas O’Brien coined the phrase “Vintage Modern” which seems to describes this Schumacher print, the  and this this suite perfectly.  I can think of no better way to mark a marriage in Millbrook, NY.  Very top drawer.

DeWolf1

 

Spotlight on Valley & Co.

Dempsey & Carroll’s Austin Ackles sat down with Aleah and Nick of Valley & Co. to talk about some of their favorite wedding destinations on the West Coast. 

 

AA: Squeezed into just a few dozen words, can you give us the essence of Valley & Co.?
A&N: In short, we throw pretty incredible celebrations for our clients and have a ball doing so! We focus on the beauty and fun in life and incorporate realistic elements into our events. We truly love creating joy for others and Valley & Company is a reflection of our passion!

AA: Which came first, the business relationship or the life partnership?
A&N: Our relationship came before our business. We met during Aleah’s senior year in high school and Nick’s freshman year at university. Aleah followed Nick to college where we planned events with several student government organizations and some pretty impressive non-university related parties as well! You can say the rest is part of our history! We’ve been planning events together since we got together and formed our company in 2003, right after we graduated from college.

AA: You’re the masters of the best coast! What’s your single favorite thing about the mighty Pacific Northwest and the very best thing about the glorious south coast?

A&N: Oh, what a kind compliment, thank you! The Pacific Northwest is absolutely incredible. Both born and raised, there is just so much to appreciate. We love the sea and islands, the culture, the incredible food (especially Dungeness crab), and the majestic mountains. But the best thing about the mighty Pacific Northwest is the fact that you can drive out of the city to any number of spectacular places in just an hour or two. There are countless hidden gems for destination weddings that we love! California is also pretty amazing and we love events along the coast in San Diego and in the desert of Palm Springs. The year-round nature of events in California (except for the one unexpected November day mentioned below!) is special and you can’t beat the sunsets and cuisine. Our West Coast clients up and down the coast tend to share an underlying vision of wanting to create a true experience for their guests, so we put great emphasis on the setting, the local bounty and seafood and land food, great wines,, and showcasing the very best that our region and the coast has to offer.

AA: Can you tell us about an impossible to foresee (or just plain weird) logistical challenge and how you overcame it?
A&N: One November in San Diego we had a beautiful wedding planned on the rooftop of a beautiful hotel perched above the busy boardwalk in Pacific Beach. An unexpected and unprecedented storm came rolling in rather quickly, dumping torrential rain and gale force winds on our just-installed tent. As we were setting up the chairs, the tent (properly weighted!) started to take flight up and over the balcony, with weights and all. Nick and some of the crew quickly pulled down the tent and slashed the ceiling to let air through. They held it down until it could be taken away. We all worked extremely fast to move the ceremony into the beautiful restaurant below and dinner on the terrace protected by glass doors. Luckily as the ceremony was underway the skies parted and the sun came out, but that was the most unexpected weather incident we’ve ever encountered! Our team was swift on our feet and was so professional and cool under the pressure! It reminded us that there can never be enough back-up plans (this summer in Washington we rolled out a Plan J!). Foreseeing any potential issue before it can arise and already having a solution in place is a large part of our job.

AA: Please think back a few years: Are the any materials or themes that you were employing regularly that have completely dropped from your current repertoire? 

A&N: We love a good classically beautiful wedding with fresh and modern touches that reflect our couples. With that said, we are seeing a departure from too rustic, overly glam, and anything that can possibly look dated even a few years down the road. Our clients tend to want an extremely personal celebration that has roots in pure beauty, so we start from scratch working in details that truly mean something to them, like a special patterned china, an altar built with logs from the bride’s family home, traditions through toasts and activities, and a menu and drink experience that is expressive of them and their backgrounds. It’s refreshing and exciting that so many of today’s couples want to create their wedding vision with a totally blank canvas!

 

AA: And now for some fun: You’re stranded on a desert island with 100 other people. Thankfully, a couple of your fellow castaways have fallen in love and are getting married. You have no supplies. What five items do you wish you had and, if it’s not obvious, why?

A&N: What a great thought!

We would wish for:

  • a stereo to provide music for the celebration
  • a pallet of champagne
  • a fishing pole to catch fish to feed all of the guests a lighter to make a roaring fire (Nick’s answer)
  • a sewing kit to fashion décor from palm fronds (Aleah’s answer)

Spotlight on Leo Mascotte

Austin Ackles sat down with Creative Director, Leo Mascotte, to discuss some of his favorite Dempsey & Carroll wedding suites. 

AA: This wedding took place in beautiful Lake Bluff, on the shores of Lake Michigan, just outside of Chicago. How do you feel that location is reflected in these designs?

DSC03727

LM: Beautiful indeed.  No less an authority on the American scene than F. Scott Fitzgerald  “Once I thought that Lake Forest was the most glamorous place in the world. Maybe it was.”  Chicago’s Lake Forest and Lake Bluff are, to my mind, the most beautiful, and most American suburbs in the country.  Architectural treasures abound.  One finds the work of Howard Van Doren Shaw, Henry Ives Cobb and Frank Lloyd Wright.  But it is David Adler’s work that makes this place like no other.  He designed the original club house of the venerable club, Shoreacres, where the ceremony and reception took place.

This wedding stationery, like Adler’s work, is informed by, and respectful of, a rich heritage, drawing on a comprehensive understanding of tradition and precedent.  It is however, uniquely American and modern in the way it modulates a purely formal model.

The decision to use handwritten calligraphy, in this marvelous crisp style, arrives at a similar easy going elegance.  The seeming effortlessness of the text is balanced by the formality of timeless hand engraving.  The beveled edges, and rounded corners riff on the expected, introducing a note of cool aqua, repeated by the lovely tissue liner.  Assured, and impeccable, the suite’s offhand, jazz age cool finds no better expression than its opening flourish.

DSC03749

 

AA: By comparison, this suite for a Fishers Island wedding feels so edified while still retaining an airiness.

DSC03891

LM: An airiness which shows that less can be splendidly more.  The understated élan of this invitation and stationery suite could not be more appropriate to the wedding’s location.  Set at the north eastern end of Long Island Sound, just off the Connecticut coast, this tiny strip of New York state is a world apart.   Prized for its pristine beauty, privacy and remove, Fisher’s Island is timeless.

hay harbor fishers island 2

The epitome of old school, east coast, Summer as a verb propriety.

The marvelous font born of this storied way of life.  Chevalier lets the hand of the engraver shine within its handsome block forms.  An unexpected polish comes from the Oxford Gray ink.  It softens letter forms that would have felt rigid rendered in a darker tone.  But it is the white space that I find most compelling.  Calling to mind trim sails, tennis attire, and freshly pressed linen collars, this suite announces with an insider’s whisper.  The subtle edge treatment, like the family silver, manages to shine, not shimmer.  The reception card is my favorite piece, am certain that the smart glint of it’s sterling trim won it pride of place on many a mantle.  I would have tucked it just so, to remind all who saw it: black tie, naturally.

DSC03915

 

AA: For oceanfront nuptials at the storied Breakers in Palm Beach, this family with impeccable taste wanted to push their boundaries. How do you think these invitations (our largest, Empire size) strike a balance between boldness and refined taste?

DSC03756

LM: Is there a request more fully aligned with this location?  A theatrical, larger than life, tropical aesthetic has defined Palm Beach from its beginning. Built in 1925, The Breakers tile roofed, Mediterranean Revival, Neo-Moorish stage set world defines Palm Beach.  From the shops of Worth Avenue, to The Everglades Club, from Doris Duke’s Mar-a-Lago to The Bath and Tennis Club, Palm Beach’s heart beats Lilly Pulitzer pink and acid green.  All this sumptuous extravagance walks a resort town  tight rope of good taste, tipping it’s hat to the staid conservatism of the East Coast cities from which America’s uber-posh winter resort draws its crowd of swells.

Screen Shot 2016-05-18 at 2.13.54 PM

The suite takes up this theme, playing in a key that all but glitters with gold.  The sheen of the tissue lined envelopes sets the tone.  This matte midas touch is echoed in the ink, a tone that harmonizes beautifully with the bold sweeping forms of the Bickham font.  Gleaming hand applied leaf shimmers, setting off precious and pains-takingly hand beveled edges and eased corners.  The blind engraved, marital monogram, is set apart.  Like an orchestra’s rest, the matte white silence the suite’s largest motif makes for a lily that is impeccably un-gilded.

DSC03774