Spotlight on Double G Events

Designer Maggie Brucker of Double G Events knows how to throw a perfect party! Recently, Maggie graciously indulged Dempsey & Carroll’s Austin Ackles with a delightful dose of her wit and wisdom.

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We adore your work! How were you first drawn into this beautiful business?

Thank you so much for your kind words! I actually got into this industry “by accident,” though I always knew I wanted to do something creative for my career. As I was growing up, I took theater and dance classes, voice lessons, performed in plays, painted, and more. I went to college for Interior Design thinking I would open up my own design firm some day, but I realized that it wasn’t for me after working in the industry for two years.  I then did what every other 24-year- old college graduate did when they didn’t have a job and started bartending at my friend’s restaurant. The restaurant soon started to offer off-site event catering and my friend asked me to help, thus my love for events and weddings was born!

After a few years with my friend’s catering company, I was offered a position as the Event Planner for Barteca Restaurant Group (Bartaco, Barcelona Wine Bar), where I took on the role of planning and designing all in-house and off-site events. Six years later, I decided to open my own Event Planning and Design boutique and Double G Events was launched in 2010!

 

Your events are so fresh and spirited, yet so timeless. What’s the secret to striking this perfect balance?

You hit the nail on the head! There are so many talented planners and designers out there, and I am so lucky to be friends with most of the ones based in Connecticut–they really are my soul and support group. Being a solo entrepreneur, it’s wonderful to have these gals just a phone call or text away for some “water cooler talk” or comedic relief. Sometimes you just need someone to lean on who gets your industry!

With that said, we all offer similar services and need to be able to differentiate ourselves from each other. It took me a while to figure out my unique style through lots of soul searching, paying attention to the clothes I wore, how I decorated my home, and more. I came to realize that my style is timeless with a bit of unexpected edge. I try to stay away from trends because I want my clients to be able to look at their wedding 30 years later and still love it.

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When I work with brides, the word I say over and over again is “AUTHENTIC.” I ask them questions about how they spend their weekends, what shows they like, how they decorate their home, and more. Though Pinterest is helpful for aesthetic reasons, it tells me nothing about my couples and who they are personally. My goal when designing a wedding is for their guests to walk into the space and say, “I get it! This is totally Jane and John!” and understand why certain elements were chosen.

As you can see from all of these photos, every wedding is unique because every one of my clients has their own unique style, and our job is to bring that to their event.

 

Within an event design, what element can you never get enough of? And what aspect do you think is most impactful when used with restraint?

Lighting, lighting, LIGHTING! Lighting will change a room’s ambiance in a heartbeat and I always ask my clients to put aside splurge money for this purpose. I describe lighting as the “jewelry” of the event. We work with Shindig Lighting a ton, and they are always evolving with innovative chandeliers, bistro canopies– you name it! In one of our most recent weddings together at Truelove Farms, we used hand-made hanging Moroccan Chandeliers that they personally picked out during their trip to Morocco to ship back to the USA!

 

Are you noticing any trends that were prevalent just a few years ago that your more recent clients are not requesting?

I won’t lie, but I am SO happy the burlap and Mason jar trend is OVER! As a designer, there is only so much you can do with burlap, and it made every wedding look exactly the same.

 

Are they asking for anything that’s new and surprising you?

We’ve definitely noticed a trend towards having a less formal affair. Instead of plated 4-course meals, clients are interested in having interactive food stations or passing appetizers throughout the reception so that guests can easily mingle and dance as they please. We’ve also been seeing a trend towards brunch weddings (my favorite meal of the week) instead of traditional dinner weddings.

Our clients are always looking for venues that have that “wow” factor, i.e, industrial factories or airplane hangars. Those are super fun to design!

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You do a lot of work at the Connecticut shore. Is there a dream venue you’ve been longing to design for but just haven’t had the opportunity yet?

Our dream venues are always backyard tented weddings—they are so personal to us and our clients. It’s a blank slate to bring in anything that the clients want without worrying about whether the décor we bring in will clash with the surroundings.

 

You receive heaps of praise from delighted clients. When they write you the thank you note, what are the two or three things that you keep hearing for which you are most proud?

I am most proud when clients praise my amazing team. I am personally not one to be in the spotlight – it actually makes me a bit uncomfortable – which is why I think I like this job so much. The bride is the show and I can stay behind the curtain.

When a client praises my team, I smile from ear to ear because they are an extension of me and my work. It makes me feel like I’m doing a great job in teaching them what our brand stands for, and watching them grow makes me feel like a proud Momma!

Here are a few of the best compliments I’ve heard lately:

“We spoke with other planners and you were the friendliest!”

 “I’m not that worried about which venue we choose because I’ve seen your work and know you’re going to make it amazing!”

 “We did not pay you enough for what you did!”

 

When it’s time for you to relax and recharge, what’s your idea of a perfectly relaxing evening?

I travel to Colorado a ton; we are currently opening up a studio in Denver and there’s nothing like the mountain views. When I’m in Connecticut, I love going to farmers’ markets and estate sales, hosting dinners for friends, trying out new restaurants (food in the way to my heart), and taking my dog hiking in the woods.

And your ideal weekend escape?

There are so many options, but there’s nothing better than retreating to a cabin in the woods without cell service or email so that I can completely unplug at the end of a busy season!

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Photo Credits:
Trulove Farms Wedding
Location: Trulove Farms, Morris, CT
Planning + Design: Double G Events, Planning + Design
Photography: Athena Bludè Photography
Florals: Fleurescent
Tent: Abbey Tent + Party Rentals
Rentals/Linen: Peak Event Services
Vintage Rentals: Gather + Lounge
Lighting: Shindig Lighting
J House Greenwich Wedding
Location: J House Greenwich, Greenwich, CT
Planning + Design: Double G Events, Planning + Design
Photography: Sarma + Co.
Florals: Fleurescent
Rentals/Linen: Peak Event Services
Lighting: Shindig Lighting
Candlewood Lake Wedding
Location: Candlewood Lake Club, New Fairfield, CT
Planning + Design: Double G Events, Planning + Design
Photography: Andrew Henderson Photography
Florals: Fleurescent
Rentals/Linen: Peak Event Services
Lounsbury House Wedding
Location: Lounsbury House, Ridgefield, CT
Planning + Design: Double G Events, Planning + Design
Photography: Monika Photography
Florals: Truffles + James
Rentals/Linen: Party Rental Ltd. // Gather + Lounge

 

Spotlight on Tessler Events

Eyal Tessler of New York City-based Tessler Events knows exactly what makes an important day a most memorable one. Recently, Dempsey & Carroll’s Austin Ackles asked him to reveal some of the secrets of his successes.

 

AA: What should fill our heads when we think of Tessler Events?

ET: When thinking of “Tessler Events” I would like people to think of us as more than just event or party planners. I want you to think about us as your partners in creating memories for life and making dreams come true. We don’t just look at the end result because we like to think of ourselves as your event architects; we take you through the journey of the planning so you can enjoy and learn every step of the way.

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AA: Is there a venue in New York that you long to design for but have not yet had the chance?

ET: One of my dreams is to do a midsummer night alfresco dinner in Central Park.

 

AA: You’re capable of beautifully expressing a variety of aesthetics and I’ve seen you do very clean and modern spaces that are still very lush and opulent in mood. Your work seems so new, but where in your journeys do you find inspiration?

ET: I love just walking around the city and getting ideas and inspiration from theater, movies, fashion, architecture, art and more.  It’s not always about the big things — the right small element that can sometimes deliver the biggest impact.

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AA: To you, what makes or breaks a dinner party?

ET: I think a dinner party should be a reflection on the hosts, together with the art of entertaining. It’s all about putting together the right group with the right menu in the right atmosphere and with the right seating scheme. If you don’t have all of these elements, you can unwittingly create a recipe for disaster.

 

AA: How large can a dinner party be until place cards are necessary?

ET: I think any size dinner party can have place cards. Part of the art of entertaining is making sure the right people sit next to each other to fuel conversation and, sometimes, new relationships.

 

AA: And how large can a dinner be before escort cards are needed?

ET: I think any dinner party with more than two tables should have escort cards so it’s easy for your guests to find their seat.

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AA: Do you care to share any pet peeves about tablescapes? What are you fussy about and most relaxed about?

ET: I don’t like tabletops that are too crowded and fussy because a table setting should be comfortable and welcoming. I don’t think you need five different glasses for each place setting at all times; you can always reset silverware and glassware. A big no-no for me is to have a centerpiece that prevents conversation between people across the table. I think for small dinner parties, sometimes less is more.

 

AA: When the day is done, how do you like to wind down?

ET: I like to exercise, listen to music and just separate the work day from the private life. Disconnecting is a very hard task as a business owner, but I try my best!

 

AA: And when you’re traveling for pure pleasure, what kind of adventure are you hoping to find?

ET: My happy place is the ocean, so the best adventures for me include a beautiful beach with lots of time to relax and recharge.

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Reply Cards Made Easy

Dempsey & Carroll’s Austin Ackles discusses the many forms that reply cards have taken on as modern wedding etiquette has evolved. We invite you to explore our wedding site to view our inspiration gallery and learn more about our offerings. 

Response cards are a relatively new addition to wedding suites. In the past, those invited would know to respond and would do so on their own engraved stationery.

 

Generally, reply cards come in two varieties.The simplest and most classic reply card might only have “The favor of a reply is requested” engraved along the bottom though most of our clients add a date, resulting in something like “Kindly reply by June 8th.”

 

Next, there are those reply cards that are more form-like with check-offs. Disliked by some, preferred by others who consider them more fail-safe, these cards typically have a minimum of four lines of text: The “M” serves as a prompt for the would-be guest to write her name, a line each to select “Happily accepts” or “Regretfully declines.”The last line usually includes the “reply by” date. reply-card-1

Depending on the arrangement with the caterer, a host may need to have check-offs for meal choices. If there are other events, separate lines may be needed for indicating attendance to those as well. At Dempsey & Carroll, we’ve done reply cards with over a dozen possible selections.

Keep in mind when hosting, the simplest reply card will get you the most novel responses back and they will make wonderful keepsakes. If you have creative friends, all the better!

Now It’s Your Turn To Reply?

Always remember that you’re addressing the host, not the guest of honor.

bermuda-reply-1For example: “Dear Mrs. Wilcox, I deeply regret that we will not be able to attend your daughter’s wedding but will most certainly be toasting from afar. Warmly, Helen Schlegel”

When replying, there are just two essential things you’ll be communicating: who you are and whether you’re coming or not. Consider using a tone that is consistent with the invitation design and wording. While you are obligated to reply, you do not have to give a reason if you cannot attend.

The Hendrick’s Gin Cucumber Southside

Summer is not quite over yet! We’re inspired by our new collaboration with Hendrick’s Gin to toast Labor Day Weekend with a refreshing Southside. Follow the recipe below and enjoy!

Hendrick’s Gin Cucumber Southside

Ingredients:Southside picture

1 ½ parts Hendrick’s Gin

¾ parts Fresh lemon juice

¾ parts simple syrup

4 mint leaves

3 English cucumber wheels

 

Method:

Add ice to shaker.  Crush ice and muddle repeatedly.  Add all ingredients, shake well, and strain into a Collins glass with ice. Garnish 1 English cucumber wheel and 1 mint sprig.

 

 

The History of the Calling Card

To honor our Annual Calling Card Event,  we wanted to share the history of the calling card and how its purposes have evolved over time. We hope that this piece inspires you to put your best card forward! 

History

Before the age of the telephone, the calling card (or carte de visite in French) had a significant role as a social tool. In the days when ladies might receive visitors during hours they were known to be “at home,” the calling card served to announce a visitor to the house. Thought to have originated in China in the 16th century, the calling card flourished in France and England before coming to America, reaching its heyday during the Gilded Age of the late 19th century.

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Function

A visitor would present his card to the butler, who would place it on a silver tray and, leaving the visitor to wait, take it to the lady of the house. Different corners of the card would be turned down to indicate the visitor came in person, or that the call was intended to express congratulations or condolence.

On an initial visit, a gentleman would give a card to the butler and leave; if the recipient wished to start a friendship, a card would be returned in the same manner; but no response or a card returned inside an envelope indicated the recipient did not wish the acquaintance to continue.

Although business cards existed, they were never used in social situations. Just as today it is usually considered rude even to ask a new acquaintance what he or she does to earn a living, the idea that a person might produce a card with business information in a social setting was inconceivable until the early twentieth century. So the calling card would have served that social function, and any information missing, or perhaps a short note, would often be written directly on the card.

Format

The most formal calling card format features only a person’s full name, complete with title: Mr., Mrs. or Miss. “Doctor” is spelled out, as is “junior.” A home address, as brief as possible, is sometimes added to the lower right corner of the card; men’s cards sometimes include the name of a club.CallingCardEvent-OrangeClutch-03-Edited

Traditional calling cards are always engraved, using only black ink, the finest paper stock, and one of a small selection of conservative typefaces. Interestingly, the ornate social codes of American Society developed standard sizes to denote sex and marital status. These “proper” sizes were in use well into the twentieth century, though today it is acceptable to throw these rules out the window and choose a size – or create a different size – that suits your taste.

 

Single Men:                                        1-9/16” x 3-1/4”

Married Men:                                     2” x 3-1/2”

Single women:                                   2” x 2-7/8”

Married women and widows:          2-3/8” x 3-1/4”

Married couples:                               2-1/2” x 3-1/2”

 

The Calling Card Today

 Calling cards, sometimes referred to as personal cards, are experiencing a renaissance, particularly among younger people, who change jobs more frequently and may want to present themselves socially with a less work-related face. Though a standard business card size is still popular for calling cards, a more unusual size may be a surprise to the recipient. Ink color and typeface are other ways to make the card have more personality. And today, there is sometimes more contact information put on the card; a cell phone number and personal email address are very common, as they don’t change when a person changes jobs or home addresses. Still, many clients prefer the simple elegance of engraving only their names on the center of the card.

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How to Use Your Calling Cards

Calling cards are the perfect “blank slate” for today’s social and business interactions. It is perfectly acceptable to jot a little note or a bit of information directly on to your calling card. For example, after a business meeting you might add your work email and hand it to a new acquaintance. After running into an old friend you might write “call me” and include your mobile telephone number. How you use your cards is entirely up to you. You should be comfortable and confident that your cards are a sophisticated reflection of your personality and are completely adaptable to any situation. Calling cards also make fabulous gift enclosures – simply write “Happy Birthday” or “Congratulations” on the card and enclose it with a gift.

We’re sure you’ll find hundreds of ways to use your cards. Be sure to visit our website or call us at 212.570.4800 to learn more!

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New Schumacher: Lansdale vs. Zanzibar

July has been an exciting month at Dempsey & Carroll as we debuted the latest lines from our collaboration with F.Schumacher & Co. We are thrilled to introduce the Lansdale and Zanzibar collections of boxed correspondence cards, drink coasters, and journals. The Lansdale collection features vibrant hues of pink, green, and orange, while the Zanzibar Collection features chic gray tones of florals.

Now we pose a question: are you Team Lansdale or Team Zanzibar? Head over to our website to see for yourself! Here are thoughts from some of the Dempsey & Carroll team on their preferences so far:

LansdaleBouquet-JournalAriel:  “I prefer Lansdale because I love the splash of color. The print tells a summer story and definitely has a fun personality. The colors remind me of a lakeside sunset in the summer.”

Megan:  “I’m Team Lansdale and the journal is my favorite.”

DSC04707_web Alyssa: “I love how colorful and fun the Lansdale journals are while still remaining timeless”

 

Austin:  “This is tough because I love color, and I love the color in the Lansdale pieces, but I get totally lost in the Zanzibar collection. My very dry gimlet would sit perfectly on one of those Zanzibar coasters (though not for too long)!”zanz coasters blog

Emma: “I am Team Zanzibar because of how the pattern makes an impression while being subtle at the same time. The coasters are a must-have for my bar cart!”

Carolyn:  “I’m Team Zanzibar. I love the journal! It’s perfect for meetings, notes on the go, or a quick sketch. I love the neutral palette – it’s great for people who shy away from color, but still has a playful tone through the pattern.”

Leo: “Zanzibar for me. I’m thinking 5 or 6 of the notebooks will find their way to my gift shelf– easy chic for any lady.”

Evon: “Although both are great, the color tones throughout the Zanzibar lends to more versatility and potential outside pairings, if desired.”MMI-072516_Schumacher-web

Spotlight on Leo Mascotte, Part II

Austin Ackles sat down with Creative Director, Leo Mascotte, to discuss more of his favorite Dempsey & Carroll wedding suites. 

AA: This wedding took place on a family property in Old Chatham and we drew a marvelous tree the couple was to be married beneath. (The resulting steel engraving die was a sculpture in and of itself!) What makes this wedding suite one of your favorites? 

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LM: Old Chatham’s charms, to no surprise, are notably old school.  This Columbia County hamlet oozes classic Yankee Town & Country charm, and is home to one of America’s most storied fox hunts, The Old Chatham Hunt Club.  The blind engraved tree motif could not be more inspired.  So too the navy blue and white color palette, classic and crisp, yet decidedly modern for a wedding.  These colors perfectly set the stage for this type of “Down East” event.  As does the Chevalier font, as naturally handsome as the chocolate labs I imagine sleeping under the couple’s table.

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I Would happily take odds that the weekend felt like a trip back to a cherished campus. The Groom and groomsmen in navy blazers, with Hermes ties chosen to recall shared sport. Radiant and crisp in Oscar de la Renta organza, the bride, seemed to be the source of the reception tent’s glow.  Her mother, effortlessly triumphant spending an evening at home amongst abundant flowers, planned to appear picked from the property’s gardens.

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AA: This wonderful couple was married in the bride’s grandmother’s garden just outside Melbourne, Australia. They loved the watercolors from our Mark Ingram collection (which we used for their save the dates) and they wanted to incorporate them into their wedding suite. I think the colors are delicious! 

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LM: Tasty indeed, the palette reminds me of tea at Laduree, in Paris.  The pale pistachio walled salons filled with a dazzling array of pastel tinted macaroons.  The wedding stationery is kept from getting too sweet by the underlying hint of rich ochre in the custom sand colored ink.

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Attention to detail here is remarkable.  Each piece of the extensive suite was engraved, such a wonderful and increasingly rare touch.  Rarer still, each item received edge treatment using a custom pale french pink.  The invitation is set apart by it’s exquisite beveled edge.  My favorite touch is named Henry B. the couple’s beloved Labradoodle.  He sits atop the reply card, bestowing a welcoming glance encouraging all to join.

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AA: How we love a perfectly-sized New England church wedding and then a celebration afterwards at a yacht club! This wedding suite is one in a series that is a variation on a very classic theme. How do you see it reinvented this time?

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LM: I love the look of this suite almost as much as I revere the venerated yacht club where it was held.  This group sets up a carefully balanced interplay of established forms set off against modern elements.  A generation ago this piece would have been printed on a folded sheet.  Today so rarely used, the foldover’s scarcity may as well predict it’s return to favor.  Here, a stiff Embassy card reflects the current currency of chic.   This nod to today is set in contrast to timeless Italian script.  For me this font remains, the unassailable definition of impeccable old school elegance.   The suite’s painted edges are left un-beveled, at once old school handcraft, and not expected.  The rich pewter ink color manages a similar duality, with Commodore worthy aplomb.

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AA: Dempsey & Carroll has this long running creative partnership with the legendary firm, Schumacher, and this is a beautiful example of our collaboration. The font here feels old and new to me at the same time. What is it that makes this invitation suite at once breezy and stately?

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LM: This celebrated print “Birds & Butterflies” was based on a hand printed 1960’s wall covering found in Schumacher’s archive.  Available as both a fabric and wallpaper it has a lovely density that never overpowers.  Set amongst charmingly drawn foliage, rendered in spare black on white, a flock of colorful creatures takes flight.

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The Open Antique Roman font almost seems to have been picked from amongst the fabric’s vines.  The letter forms have a polished yet unfussy 1930’s feel.  Designer Thomas O’Brien coined the phrase “Vintage Modern” which seems to describes this Schumacher print, the  and this this suite perfectly.  I can think of no better way to mark a marriage in Millbrook, NY.  Very top drawer.

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