Category Archives for Love

Real Weddings: Carolyn & Zach

Real Wedding

Carolyn and Zach

Rainbow Room

November 11, 2017

0400

On a cool and crystal-clear November day, Carolyn and Zach were wed and many a passerby could not resist congratulating the happiest couple.

Called “Fernanda,” the dress is from Vera Wang’s Fall 2016 collection. The bodice, with a very clean and simple construction made of a crisp ivory silk, featured a drop waist,  also known as a Basque waist. The skirt portion of the dress featured layers upon layers of tulle that created a quite extensive seven foot train which was bustled for the cocktail hour and reception. An embellishment featuring little blue beads from the bride’s great-grandmother’s garter was sewn into the lining of the skirt.

The bride wears her sister, Lauren’s, cathedral style veil from her wedding last winter.

 

Vows are shared beneath an intimate, light-as-air chuppah and then, above and beyond, facets of light expand like a vast, unending jewel made of light.

0729

Neat rows of carefully crafted Dempsey & Carroll escort cards await excited guests as they move into the reception. Event planner Lauren Fremont of LOLI Events made sure every detail came together harmoniously.

DeJuan Stroud created flowers in luscious violets and velvety reds surrounding gorgeous textures in back-to-earth shades of fresh greens. You could feel their beauty as you neared the arrangements: their drama perfectly present but not overwhelming.

Other arrangements were more experimental: A symbol of faithfulness, calla lilies, rest in abstract glass forms and then seemed to float in midair.

0974

There was ambient lavender and powdery magenta glow overhead– crystal chandeliers and sconces sparkle and meld with city lights stretching on for miles.

The view
Taking it all in

Rainbow Room soars above New York and resides alongside the most famous lighted spires in any night sky.

0005

Zach, Carolyn, and her mother, Wendy, selected our creamy, custom-milled, cotton Dempsey White paper for the invitations and each would be hand-engraved on antique presses as old as midtown Manhattan’s skyline. A crisp block font hinted at the importance of design given to every inch of the splendid Rockefeller Center landmark. And at the bottom of each invitation? Two reflected triangles form a pert bowtie. For a subtle finish to the inner envelopes, the bride requested a sunburst gray linear pattern that reminds of deco, but just so.

0415

Dempsey & Carroll congratulates Carolyn and Zach!

 

Credits:

Photography: Ira Lippke, The Day Collective

Wedding Planner:  Loli Events

Design: Dejuan Stroud

Venue: Rainbow Room

Dress: Vera Wang

From Dempsey, With Love

Imagine a time before it was possible to instantly connect with somebody across the country (or world) with text messages and emails.

Your letter gave me more delight than anything in the world but yourself could do; indeed, I am almost astonished that any absent one should have that luxurious power over my senses which I feel. Even when I am not thinking of you I receive your influence and a tenderer nature stealing upon me.

– John Keats to Fanny Brawne, 1819 (from “Love”)

In 1883, Messrs. Dempsey & Carroll published “Love,” a collection of love letters and sentiments from the ages. In the 14 days leading up to Valentine’s Day, we’ve been sharing some of our favorite excerpts from these historic words as a way to inspire others to put pen to paper and send the love. In our opinion, a handwritten letter will always be the most meaningful way to express deep feelings of affection.

We would love to hear more about some of your favorite love letters or Valentines. Perhaps you have a favorite quote from a famous (or not so famous) love letter that you’d like to share, or maybe you’ve written a love letter to a special person or place (we’ve written plenty of love letters to New York City, our cherished home, over the years).

Share with us on Instagram by either Direct Messaging @dempseycarroll or by posting a photo on your feed and tagging us and using the #fromdempseywithlove hashtag. We’ll be sending the first 10 submissions a card from our Love Notes Collection so that you can send the love in style this Valentine’s Day!

From Dempsey, With Love

DSC02452

Spotlight on Double G Events

Designer Maggie Brucker of Double G Events knows how to throw a perfect party! Recently, Maggie graciously indulged Dempsey & Carroll’s Austin Ackles with a delightful dose of her wit and wisdom.

Maggie-Headshot-Double-G-Events-CT-Wedding_Planner (1)

We adore your work! How were you first drawn into this beautiful business?

Thank you so much for your kind words! I actually got into this industry “by accident,” though I always knew I wanted to do something creative for my career. As I was growing up, I took theater and dance classes, voice lessons, performed in plays, painted, and more. I went to college for Interior Design thinking I would open up my own design firm some day, but I realized that it wasn’t for me after working in the industry for two years.  I then did what every other 24-year- old college graduate did when they didn’t have a job and started bartending at my friend’s restaurant. The restaurant soon started to offer off-site event catering and my friend asked me to help, thus my love for events and weddings was born!

After a few years with my friend’s catering company, I was offered a position as the Event Planner for Barteca Restaurant Group (Bartaco, Barcelona Wine Bar), where I took on the role of planning and designing all in-house and off-site events. Six years later, I decided to open my own Event Planning and Design boutique and Double G Events was launched in 2010!

 

Your events are so fresh and spirited, yet so timeless. What’s the secret to striking this perfect balance?

You hit the nail on the head! There are so many talented planners and designers out there, and I am so lucky to be friends with most of the ones based in Connecticut–they really are my soul and support group. Being a solo entrepreneur, it’s wonderful to have these gals just a phone call or text away for some “water cooler talk” or comedic relief. Sometimes you just need someone to lean on who gets your industry!

With that said, we all offer similar services and need to be able to differentiate ourselves from each other. It took me a while to figure out my unique style through lots of soul searching, paying attention to the clothes I wore, how I decorated my home, and more. I came to realize that my style is timeless with a bit of unexpected edge. I try to stay away from trends because I want my clients to be able to look at their wedding 30 years later and still love it.

lounsbury-house-wedding-double-g-events-ct-wedding-planners (8)

When I work with brides, the word I say over and over again is “AUTHENTIC.” I ask them questions about how they spend their weekends, what shows they like, how they decorate their home, and more. Though Pinterest is helpful for aesthetic reasons, it tells me nothing about my couples and who they are personally. My goal when designing a wedding is for their guests to walk into the space and say, “I get it! This is totally Jane and John!” and understand why certain elements were chosen.

As you can see from all of these photos, every wedding is unique because every one of my clients has their own unique style, and our job is to bring that to their event.

 

Within an event design, what element can you never get enough of? And what aspect do you think is most impactful when used with restraint?

Lighting, lighting, LIGHTING! Lighting will change a room’s ambiance in a heartbeat and I always ask my clients to put aside splurge money for this purpose. I describe lighting as the “jewelry” of the event. We work with Shindig Lighting a ton, and they are always evolving with innovative chandeliers, bistro canopies– you name it! In one of our most recent weddings together at Truelove Farms, we used hand-made hanging Moroccan Chandeliers that they personally picked out during their trip to Morocco to ship back to the USA!

 

Are you noticing any trends that were prevalent just a few years ago that your more recent clients are not requesting?

I won’t lie, but I am SO happy the burlap and Mason jar trend is OVER! As a designer, there is only so much you can do with burlap, and it made every wedding look exactly the same.

 

Are they asking for anything that’s new and surprising you?

We’ve definitely noticed a trend towards having a less formal affair. Instead of plated 4-course meals, clients are interested in having interactive food stations or passing appetizers throughout the reception so that guests can easily mingle and dance as they please. We’ve also been seeing a trend towards brunch weddings (my favorite meal of the week) instead of traditional dinner weddings.

Our clients are always looking for venues that have that “wow” factor, i.e, industrial factories or airplane hangars. Those are super fun to design!

lounsbury-house-wedding-double-g-events-ct-wedding-planners (33)

 

You do a lot of work at the Connecticut shore. Is there a dream venue you’ve been longing to design for but just haven’t had the opportunity yet?

Our dream venues are always backyard tented weddings—they are so personal to us and our clients. It’s a blank slate to bring in anything that the clients want without worrying about whether the décor we bring in will clash with the surroundings.

 

You receive heaps of praise from delighted clients. When they write you the thank you note, what are the two or three things that you keep hearing for which you are most proud?

I am most proud when clients praise my amazing team. I am personally not one to be in the spotlight – it actually makes me a bit uncomfortable – which is why I think I like this job so much. The bride is the show and I can stay behind the curtain.

When a client praises my team, I smile from ear to ear because they are an extension of me and my work. It makes me feel like I’m doing a great job in teaching them what our brand stands for, and watching them grow makes me feel like a proud Momma!

Here are a few of the best compliments I’ve heard lately:

“We spoke with other planners and you were the friendliest!”

 “I’m not that worried about which venue we choose because I’ve seen your work and know you’re going to make it amazing!”

 “We did not pay you enough for what you did!”

 

When it’s time for you to relax and recharge, what’s your idea of a perfectly relaxing evening?

I travel to Colorado a ton; we are currently opening up a studio in Denver and there’s nothing like the mountain views. When I’m in Connecticut, I love going to farmers’ markets and estate sales, hosting dinners for friends, trying out new restaurants (food in the way to my heart), and taking my dog hiking in the woods.

And your ideal weekend escape?

There are so many options, but there’s nothing better than retreating to a cabin in the woods without cell service or email so that I can completely unplug at the end of a busy season!

candlewood-lake-wedding-double-g-events-ct-wedding-planning (62)

 

Photo Credits:
Trulove Farms Wedding
Location: Trulove Farms, Morris, CT
Planning + Design: Double G Events, Planning + Design
Photography: Athena Bludè Photography
Florals: Fleurescent
Tent: Abbey Tent + Party Rentals
Rentals/Linen: Peak Event Services
Vintage Rentals: Gather + Lounge
Lighting: Shindig Lighting
J House Greenwich Wedding
Location: J House Greenwich, Greenwich, CT
Planning + Design: Double G Events, Planning + Design
Photography: Sarma + Co.
Florals: Fleurescent
Rentals/Linen: Peak Event Services
Lighting: Shindig Lighting
Candlewood Lake Wedding
Location: Candlewood Lake Club, New Fairfield, CT
Planning + Design: Double G Events, Planning + Design
Photography: Andrew Henderson Photography
Florals: Fleurescent
Rentals/Linen: Peak Event Services
Lounsbury House Wedding
Location: Lounsbury House, Ridgefield, CT
Planning + Design: Double G Events, Planning + Design
Photography: Monika Photography
Florals: Truffles + James
Rentals/Linen: Party Rental Ltd. // Gather + Lounge

 

Spotlight on Erica Beckman

Dempsey & Carroll’s Austin Ackles asked Erica Beckman of Clean Plate Pictures to tell us about her absolute favorite spots for engagement and wedding photos in and around New York City. 

  1. DUMBO/Brooklyn Bridge
Tuesday, May 6, 2014. Tina and Chirag’s engagement shoot on the Brooklyn Bridge, around DUMBO, Brooklyn, the meat packing district in Manhattan and the Gansevoort Hotel New York City.

The Brooklyn Bridge and DUMBO are classic shooting locations, and for good reason. The bridge itself is iconic, and it’s absolutely stunning at sunrise. The DUMBO neighborhood has an amazing variety of environments in a a small, walkable area. With gorgeous views of the Manhattan skyline, tons of cool graffiti, and lots of cobblestone streets and alleyways, it’s ideal for getting lots of different locations. Even after shooting there for years, I always find something new!

 

  1. Vinegar Hill

Vinegar Hill is right next to DUMBO, so I usually shoot in both locations together. Vinegar Hill is such a colorful neighborhood; it’s filled with brightly painted doors and store fronts and lots of industrial brick and wood textures. It also has tons of my two favorite things: graffiti and vines!

 

  1. Fort Tryon Park

Fort Tryon Park is another hidden gem. Most people immediately think of Central Park when they want a green location in the city, but Fort Tryon is just as gorgeous – and usually a lot less crowded! The gardens there are stunning, especially in the spring, and there are amazing stone structures and steps (plus, it’s got incredible views of Hudson)!

 

  1. Rockwood Hall – Tarrytown, NY
Thursday, August 11, 2016. Carleigh and Joe’s wedding at Rockwood Hall at the Rockefeller State Park Preserve in Pleasantville, NY.
Thursday, August 11, 2016. Carleigh and Joe’s wedding at Rockwood Hall at the Rockefeller State Park Preserve in Pleasantville, NY.
Thursday, August 11, 2016. Carleigh and Joe’s wedding at Rockwood Hall at the Rockefeller State Park Preserve in Pleasantville, NY.

If you’re willing to venture out of the city limits, Tarrytown is just a short train ride away and home to Rockwood Hall Park. The grounds of the former Rockefeller Estate overlook the Hudson River. The ruins of the old mansion are a great spot, and the park is full of these weeping trees that are dreamy to photograph.

 

  1. A Special Location
Sunday, June 23, 2013. Allyson and Joe’s engagement shoot at Blackbirds in Astoria, Queens, Socrates Sculpture Park in and Graffiti murals Long Island City, Queens, NY.
Friday August 24, 2013. Jackie and Marco’s engagement shoot in Livingston Manor, NY.

I love when clients suggest a new location to me. Photographing a location that’s special and unique for them makes the photos that much better, and it’s always a pleasure to find new places! Socrates Sculpture Park in Long Island City was suggested to me by a couple and I was so pleased to see how cool it was – full of awesome structures and with a gorgeous view of the city. Another couple invited me to their country home upstate where we got to shoot in this dreamy, woodsy atmosphere– we even found this amazing covered bridge in the area. I encourage everyone out there to think about spots that are special to you!

Erica BeckmanErica Beckman makes the experience of being photographed easygoing and fun, so couples look and feel happy and relaxed. She started Clean Plate Pictures 8 years ago with the goal of capturing the heart and soul of a celebration, recording the big events as well as unexpected candid moments. Today Erica runs her busy wedding photography business from her studio in the Hudson Valley, photographing weddings all over the Tri-State area.

Real Weddings: Lauren & Sam

Real Wedding

Lauren & Samuel

Brooklyn Museum

December 17th, 2016

 

068

Wild winter weather provided a spectacular backdrop to Lauren and Samuel’s ceremony. Sided by charming brickwork from the original Beaux-Arts structure that was designed by the legendary firm of McKim, Mead & White, ensconced guests could gaze past the chuppah, over a joyous gospel choir, and through a modern glass addition with evolving weather cascading safely beyond.

002

Lauren first visited with Dempsey and Carroll’s Austin Ackles last June with her sister Carolyn and their mother, Wendy, in tow. The three (all sharp, design savvy and decisive) arrived with a very clear vision and with a great appreciation for the tried-and-true engraving process. Our Pewter ink and  Dempsey White paper thrilled them, while the hand calligraphed names of the bride and groom contrasted perfectly with the modern font for the text. After the calligraphy is handwritten, it is then etched into a copper plate that’s inked and pushed to paper, one by one, on an antique press. Finally, edges of the invitation were carefully beveled and hand painted with silver ink and envelopes were finished with a subtle, shimmering silver lining.

With cocktails in hand, guests mingled amongst masterpieces by Corot, Cassatt, and Degas in the colonnade before moving in under the impressive skylight space. The overall feeling was of a classic ice palace, but one given warmth and an edgy modernity, with magically-hued lighting effects in pinks and greens and lavenders.

A winter wonderland and subtle pine scent surrounded Dempsey & Carroll escort cards. Columns of birch echoed those of marble and massive scale that bordered the space.

090

Additional lighting effects gave the impression of late in the day sun weaving its way through a cluster of swaying aspens.

112

A smartly conceived floor plan ensured that the guests were wowed by the immense history of place while still close enough to one another for an intimate vibe. Lauren and Samuel’s marriage celebration carried on as everyone let go to classic Motown, R&B favorites and early hip-hop.

Dempsey & Carroll is pleased to have had a role in such a brilliant affair. Congratulations to a most lovely couple!

Credits:

Photography: Ira Lippke Studios

Wedding Planner: Vanda High Events

Vintage Valentine’s Day Greetings

The roots of Valentine’s Day can be traced back to Ancient Rome, though the modern incarnation of the Holiday didn’t begin until the turn of the 19th century.This article in Town & Country Magazine illustrates a brief history of how Valentine’s Day has evolved and why the tradition of sending greeting cards has become a fixture of the season.

We love looking back at vintage Valentine’s Day cards from the 19th and 20th centuries to see changing trends. Many of the bold illustrations and puns of the past have given way to more subtle designs, though we can’t help but smile when we look at how people have expressed their love through the ages.

The Yacht signals of love
First Bank of Love
We should be well matched
The Queen of every hand
A St. Valentine’s Greeting
“V” is for Valentine
I’ll never shake you, my Valentine
“Please be my Queen of Hearts”
From New York, with love
In a “flash”
A token of love
“I’d be De-Lighted to go out with you”
“I cannot wait”

Please feel free to share some of your favorite Valentine’s Day cards that you have received over the years and tag us on Instagram, Twitter, or Facebook.

In the Mail: A “When-to” for Wedding Invitations

The beginning of a new year marks the beginning of a new wedding season.  Dempsey & Carroll’s Austin Ackles answers some of the frequently asked questions about the most optimal timelines for ordering and sending wedding invitations. 

Congratulations! You’re getting married, you’ve locked down your dream location, and now you need to spread the word. Here are a few tips for a wrinkle-free work flow that will result in perfectly timed wedding paper.

 

When is the best time to send Save the Dates?

Save the Dates are usually sent anywhere between six and twelve months before the event. Consider sending them out on the early side if your wedding is in a location with limited flights and accommodations such as Aspen or St. Barts. If the wedding is located in New York City, six months ahead is usually fine. Be sure to include the hotel block information with the Save the Date and not later with the invitation because that’s when guests need it most. If everyone is invited to Friday night festivities and Sunday brunch, call it a “Save the Weekend” so that your lucky guests will know to book a longer weekend.

 

OK, my Save the Date is in the mail! When do I need to start the wedding invitation process?

Trusty sources say that invitations should be posted between six and eight weeks before the wedding, but here at Dempsey & Carroll, our clients generally prefer eight weeks out. Working backwards, producing fine engraved papers with hand finishes takes about six weeks and calligraphy of the envelopes takes  a minimum of two or three weeks. For design time, allow about three weeks. Faster results are certainly possible when required, but to get the most enjoyment out of the process, come to see us at least five months in advance of your big day for a stress-free, luxurious experience of a lifetime!

 

And what about the paper I need for the day of?

We usually start working on menus, welcome notes, ceremony program booklets, escort cards, and place cards right after we send the wedding invitations to print. All the paper then has a congruent feel for a perfectly polished wedding!

 

Reply Cards Made Easy

Dempsey & Carroll’s Austin Ackles discusses the many forms that reply cards have taken on as modern wedding etiquette has evolved. We invite you to explore our wedding site to view our inspiration gallery and learn more about our offerings. 

Response cards are a relatively new addition to wedding suites. In the past, those invited would know to respond and would do so on their own engraved stationery.

 

Generally, reply cards come in two varieties.The simplest and most classic reply card might only have “The favor of a reply is requested” engraved along the bottom though most of our clients add a date, resulting in something like “Kindly reply by June 8th.”

 

Next, there are those reply cards that are more form-like with check-offs. Disliked by some, preferred by others who consider them more fail-safe, these cards typically have a minimum of four lines of text: The “M” serves as a prompt for the would-be guest to write her name, a line each to select “Happily accepts” or “Regretfully declines.”The last line usually includes the “reply by” date. reply-card-1

Depending on the arrangement with the caterer, a host may need to have check-offs for meal choices. If there are other events, separate lines may be needed for indicating attendance to those as well. At Dempsey & Carroll, we’ve done reply cards with over a dozen possible selections.

Keep in mind when hosting, the simplest reply card will get you the most novel responses back and they will make wonderful keepsakes. If you have creative friends, all the better!

Now It’s Your Turn To Reply?

Always remember that you’re addressing the host, not the guest of honor.

bermuda-reply-1For example: “Dear Mrs. Wilcox, I deeply regret that we will not be able to attend your daughter’s wedding but will most certainly be toasting from afar. Warmly, Helen Schlegel”

When replying, there are just two essential things you’ll be communicating: who you are and whether you’re coming or not. Consider using a tone that is consistent with the invitation design and wording. While you are obligated to reply, you do not have to give a reason if you cannot attend.

Spotlight on Leo Mascotte, Part II

Austin Ackles sat down with Creative Director, Leo Mascotte, to discuss more of his favorite Dempsey & Carroll wedding suites. 

AA: This wedding took place on a family property in Old Chatham and we drew a marvelous tree the couple was to be married beneath. (The resulting steel engraving die was a sculpture in and of itself!) What makes this wedding suite one of your favorites? 

Forer2

LM: Old Chatham’s charms, to no surprise, are notably old school.  This Columbia County hamlet oozes classic Yankee Town & Country charm, and is home to one of America’s most storied fox hunts, The Old Chatham Hunt Club.  The blind engraved tree motif could not be more inspired.  So too the navy blue and white color palette, classic and crisp, yet decidedly modern for a wedding.  These colors perfectly set the stage for this type of “Down East” event.  As does the Chevalier font, as naturally handsome as the chocolate labs I imagine sleeping under the couple’s table.

Old Chatham Hunt Club jpeg

I Would happily take odds that the weekend felt like a trip back to a cherished campus. The Groom and groomsmen in navy blazers, with Hermes ties chosen to recall shared sport. Radiant and crisp in Oscar de la Renta organza, the bride, seemed to be the source of the reception tent’s glow.  Her mother, effortlessly triumphant spending an evening at home amongst abundant flowers, planned to appear picked from the property’s gardens.

Forer1

 

AA: This wonderful couple was married in the bride’s grandmother’s garden just outside Melbourne, Australia. They loved the watercolors from our Mark Ingram collection (which we used for their save the dates) and they wanted to incorporate them into their wedding suite. I think the colors are delicious! 

Hibbs2

LM: Tasty indeed, the palette reminds me of tea at Laduree, in Paris.  The pale pistachio walled salons filled with a dazzling array of pastel tinted macaroons.  The wedding stationery is kept from getting too sweet by the underlying hint of rich ochre in the custom sand colored ink.

Laduree jpeg

Attention to detail here is remarkable.  Each piece of the extensive suite was engraved, such a wonderful and increasingly rare touch.  Rarer still, each item received edge treatment using a custom pale french pink.  The invitation is set apart by it’s exquisite beveled edge.  My favorite touch is named Henry B. the couple’s beloved Labradoodle.  He sits atop the reply card, bestowing a welcoming glance encouraging all to join.

Hibbs1

 

AA: How we love a perfectly-sized New England church wedding and then a celebration afterwards at a yacht club! This wedding suite is one in a series that is a variation on a very classic theme. How do you see it reinvented this time?

Corbin2

LM: I love the look of this suite almost as much as I revere the venerated yacht club where it was held.  This group sets up a carefully balanced interplay of established forms set off against modern elements.  A generation ago this piece would have been printed on a folded sheet.  Today so rarely used, the foldover’s scarcity may as well predict it’s return to favor.  Here, a stiff Embassy card reflects the current currency of chic.   This nod to today is set in contrast to timeless Italian script.  For me this font remains, the unassailable definition of impeccable old school elegance.   The suite’s painted edges are left un-beveled, at once old school handcraft, and not expected.  The rich pewter ink color manages a similar duality, with Commodore worthy aplomb.

Corbin1

 

AA: Dempsey & Carroll has this long running creative partnership with the legendary firm, Schumacher, and this is a beautiful example of our collaboration. The font here feels old and new to me at the same time. What is it that makes this invitation suite at once breezy and stately?

DeWolf2

LM: This celebrated print “Birds & Butterflies” was based on a hand printed 1960’s wall covering found in Schumacher’s archive.  Available as both a fabric and wallpaper it has a lovely density that never overpowers.  Set amongst charmingly drawn foliage, rendered in spare black on white, a flock of colorful creatures takes flight.

via-F.-Schumacher-Co.-e1430023278533

The Open Antique Roman font almost seems to have been picked from amongst the fabric’s vines.  The letter forms have a polished yet unfussy 1930’s feel.  Designer Thomas O’Brien coined the phrase “Vintage Modern” which seems to describes this Schumacher print, the  and this this suite perfectly.  I can think of no better way to mark a marriage in Millbrook, NY.  Very top drawer.

DeWolf1

 

Spotlight on Leo Mascotte

Austin Ackles sat down with Creative Director, Leo Mascotte, to discuss some of his favorite Dempsey & Carroll wedding suites. 

AA: This wedding took place in beautiful Lake Bluff, on the shores of Lake Michigan, just outside of Chicago. How do you feel that location is reflected in these designs?

DSC03727

LM: Beautiful indeed.  No less an authority on the American scene than F. Scott Fitzgerald  “Once I thought that Lake Forest was the most glamorous place in the world. Maybe it was.”  Chicago’s Lake Forest and Lake Bluff are, to my mind, the most beautiful, and most American suburbs in the country.  Architectural treasures abound.  One finds the work of Howard Van Doren Shaw, Henry Ives Cobb and Frank Lloyd Wright.  But it is David Adler’s work that makes this place like no other.  He designed the original club house of the venerable club, Shoreacres, where the ceremony and reception took place.

This wedding stationery, like Adler’s work, is informed by, and respectful of, a rich heritage, drawing on a comprehensive understanding of tradition and precedent.  It is however, uniquely American and modern in the way it modulates a purely formal model.

The decision to use handwritten calligraphy, in this marvelous crisp style, arrives at a similar easy going elegance.  The seeming effortlessness of the text is balanced by the formality of timeless hand engraving.  The beveled edges, and rounded corners riff on the expected, introducing a note of cool aqua, repeated by the lovely tissue liner.  Assured, and impeccable, the suite’s offhand, jazz age cool finds no better expression than its opening flourish.

DSC03749

 

AA: By comparison, this suite for a Fishers Island wedding feels so edified while still retaining an airiness.

DSC03891

LM: An airiness which shows that less can be splendidly more.  The understated élan of this invitation and stationery suite could not be more appropriate to the wedding’s location.  Set at the north eastern end of Long Island Sound, just off the Connecticut coast, this tiny strip of New York state is a world apart.   Prized for its pristine beauty, privacy and remove, Fisher’s Island is timeless.

hay harbor fishers island 2

The epitome of old school, east coast, Summer as a verb propriety.

The marvelous font born of this storied way of life.  Chevalier lets the hand of the engraver shine within its handsome block forms.  An unexpected polish comes from the Oxford Gray ink.  It softens letter forms that would have felt rigid rendered in a darker tone.  But it is the white space that I find most compelling.  Calling to mind trim sails, tennis attire, and freshly pressed linen collars, this suite announces with an insider’s whisper.  The subtle edge treatment, like the family silver, manages to shine, not shimmer.  The reception card is my favorite piece, am certain that the smart glint of it’s sterling trim won it pride of place on many a mantle.  I would have tucked it just so, to remind all who saw it: black tie, naturally.

DSC03915

 

AA: For oceanfront nuptials at the storied Breakers in Palm Beach, this family with impeccable taste wanted to push their boundaries. How do you think these invitations (our largest, Empire size) strike a balance between boldness and refined taste?

DSC03756

LM: Is there a request more fully aligned with this location?  A theatrical, larger than life, tropical aesthetic has defined Palm Beach from its beginning. Built in 1925, The Breakers tile roofed, Mediterranean Revival, Neo-Moorish stage set world defines Palm Beach.  From the shops of Worth Avenue, to The Everglades Club, from Doris Duke’s Mar-a-Lago to The Bath and Tennis Club, Palm Beach’s heart beats Lilly Pulitzer pink and acid green.  All this sumptuous extravagance walks a resort town  tight rope of good taste, tipping it’s hat to the staid conservatism of the East Coast cities from which America’s uber-posh winter resort draws its crowd of swells.

Screen Shot 2016-05-18 at 2.13.54 PM

The suite takes up this theme, playing in a key that all but glitters with gold.  The sheen of the tissue lined envelopes sets the tone.  This matte midas touch is echoed in the ink, a tone that harmonizes beautifully with the bold sweeping forms of the Bickham font.  Gleaming hand applied leaf shimmers, setting off precious and pains-takingly hand beveled edges and eased corners.  The blind engraved, marital monogram, is set apart.  Like an orchestra’s rest, the matte white silence the suite’s largest motif makes for a lily that is impeccably un-gilded.

DSC03774