Category Archives for History

Spotlight on Sister Parish Design

In honor of our new collaboration with Sister Parish Design, we had the pleasure of interviewing its President and Co-Founder, Susan Crater. We learned about her decorating style, inspirations, and the lasting influence of her grandmother, legendary Designer Sister Parish.

We are thrilled to bring the Parish-Hadley design legacy to paper with the launch of our Desmond and Serendipity correspondence card sets!

Susan with one of our Desmond cards
Sister Parish fabrics
Sister Parish x Dempsey & Carroll Desmond

What inspired you to revive your Grandmother’s work and start Sister Parish Design in 2000? Did you always know that you wanted to work in the design field?

The truth is that I did not always know that I wanted to work in the design field. I did always know that I appreciated a beautifully decorated room, and especially appreciated and loved the rooms that my grandmother and Albert [Hadley] designed. It is these rooms that inspired me to create this collection.

Serendipity red wallpaper
Sister Parish x Dempsey & Carroll Serendipity

Many of your patterns are from the Parish-Hadley archives, though you have also launched new patterns along with a home accessories collection. How do you find a balance between honoring the Parish-Hadley tradition while continuing to update your offerings?

We look to the rooms that Parish-Hadley decorated and we look to the rooms that inspired Parish-Hadley to guide us in building our collection. How are textiles being used and what types of textiles are being used in these rooms?  Will decorators today want to use these textiles in the same way or will they want to use them differently? These are the types of questions we ask ourselves in order to build a collection that will continue to honor the Parish-Hadley legacy.

Desmond Wallpaper
A home study with Desmond Wallpaper

What is your favorite piece of decorating advice that you like to share with friends and clients?

“Innovation is often the ability to reach into the past and bring back what is good, what is beautiful, what is useful, what is lasting.”  -Sister Parish

Photo: Horst P. Horst/Condé Nast Archive

Sister Parish, 1974

What do you think that everyone should avoid when decorating a home? Do you have any design-related pet peeves?

One thing my grandmother taught me was the importance of scale. Overly large and overstuffed furniture will ruin a room.

 You have a gorgeous house up in Bedford, New York!  How would you compare your personal design aesthetic to that of your Grandmother’s? Do you have any favorite pieces of hers that you have out in your home (furniture, decorative pieces, etc)?

I’ve always wanted to create the same comfortable and beautiful rooms for my family that my mother and grandmother created for theirs.  I’m particularly in love with a green velvet Lawson style sofa designed by Billy Baldwin. Baldwin was small in physical stature and would use the Lawson sofa as his bed in his studio apartment. The same green velvet has been on the sofa since the 1980’s and it has only gotten better with time!

Photo: Oberto Gili for Architectural Digest
Photo: Oberto Gili for Architectural Digest

We’d love to hear a bit more about the Desmond and Serendipity patterns that are featured as part of our collaboration. How did you end up choosing these particular designs?

Both Desmond and the Serendipity are small all over prints that make a big impact. They are tried and true patterns that have added depth and sophistication to many rooms over the years. We knew they would have the same effect on stationery as they’ve had on rooms.

Sister Parish x Dempsey & Carroll Serendipity
Sister Parish x Dempsey & Carroll Desmond

You have priceless handwritten letters from First Lady Jackie Kennedy to your grandmother in your archives—a perfect tie-in with our partnership. Why do you think that handwritten correspondence is still important in 2018?

A beautifully handwritten letter is like a beautifully decorated room. If properly cared for, it will last forever!

A closer look at a letter from Jackie Kennedy to Sister Parish
Letters from First Lady Jackie Kennedy

Where is your ideal place to sit down and write a letter?

My porch in Maine.

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Susan and her daughter, Eliza, at the Dempsey & Carroll office during the photo shoot for our collaboration

Many thanks to Susan for taking the time to speak with us. Be sure to shop our collaboration on our site here!

From Dempsey, With Love

Imagine a time before it was possible to instantly connect with somebody across the country (or world) with text messages and emails.

Your letter gave me more delight than anything in the world but yourself could do; indeed, I am almost astonished that any absent one should have that luxurious power over my senses which I feel. Even when I am not thinking of you I receive your influence and a tenderer nature stealing upon me.

– John Keats to Fanny Brawne, 1819 (from “Love”)

In 1883, Messrs. Dempsey & Carroll published “Love,” a collection of love letters and sentiments from the ages. In the 14 days leading up to Valentine’s Day, we’ve been sharing some of our favorite excerpts from these historic words as a way to inspire others to put pen to paper and send the love. In our opinion, a handwritten letter will always be the most meaningful way to express deep feelings of affection.

We would love to hear more about some of your favorite love letters or Valentines. Perhaps you have a favorite quote from a famous (or not so famous) love letter that you’d like to share, or maybe you’ve written a love letter to a special person or place (we’ve written plenty of love letters to New York City, our cherished home, over the years).

Share with us on Instagram by either Direct Messaging @dempseycarroll or by posting a photo on your feed and tagging us and using the #fromdempseywithlove hashtag. We’ll be sending the first 10 submissions a card from our Love Notes Collection so that you can send the love in style this Valentine’s Day!

From Dempsey, With Love

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National Handwriting Day 2017

Our handwriting’s just one of the many facets of ourselves.

January 23rd is officially known as “National Handwriting Day” as it falls on the birthday of John Hancock, the first person to sign The Declaration of Independence. The Writing Instrument Manufacturers Association started this holiday in 1977 to acknowledge the history of penmanship and to recognize the importance of handwritten notes.

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We continue to celebrate the art of the handwritten note and the individuality of each person’s handwriting. We hope that this holiday inspires you to put pen to paper and join the tradition! We’ve included a few of our favorite quotes about writing below, though we look forward to hearing from our followers as well.

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“And the idea of just wandering off to a cafe with a notebook and writing and seeing where that takes me for awhile is just bliss.” – J. K. Rowling

“Writing, to me, is simply thinking through my fingers.” – Isaac Asimov

“True ease in writing comes from art, not chance, as those who move easiest have learned to dance.” – Alexander Pope

 “Writing gives a sort of immortality to all other things.” -Richard Herring

“My two fingers on a typewriter have never connected with my brain. My hand on a pen does. A fountain pen, of course.” – Graham Greene 

Please feel free to share your handwritten notes on social media by tagging @dempseycarroll on instagram or twitter and using the #NationalHandwritingDay hashtag to celebrate with us.

Reply Cards Made Easy

Dempsey & Carroll’s Austin Ackles discusses the many forms that reply cards have taken on as modern wedding etiquette has evolved. We invite you to explore our wedding site to view our inspiration gallery and learn more about our offerings. 

Response cards are a relatively new addition to wedding suites. In the past, those invited would know to respond and would do so on their own engraved stationery.

 

Generally, reply cards come in two varieties.The simplest and most classic reply card might only have “The favor of a reply is requested” engraved along the bottom though most of our clients add a date, resulting in something like “Kindly reply by June 8th.”

 

Next, there are those reply cards that are more form-like with check-offs. Disliked by some, preferred by others who consider them more fail-safe, these cards typically have a minimum of four lines of text: The “M” serves as a prompt for the would-be guest to write her name, a line each to select “Happily accepts” or “Regretfully declines.”The last line usually includes the “reply by” date. reply-card-1

Depending on the arrangement with the caterer, a host may need to have check-offs for meal choices. If there are other events, separate lines may be needed for indicating attendance to those as well. At Dempsey & Carroll, we’ve done reply cards with over a dozen possible selections.

Keep in mind when hosting, the simplest reply card will get you the most novel responses back and they will make wonderful keepsakes. If you have creative friends, all the better!

Now It’s Your Turn To Reply?

Always remember that you’re addressing the host, not the guest of honor.

bermuda-reply-1For example: “Dear Mrs. Wilcox, I deeply regret that we will not be able to attend your daughter’s wedding but will most certainly be toasting from afar. Warmly, Helen Schlegel”

When replying, there are just two essential things you’ll be communicating: who you are and whether you’re coming or not. Consider using a tone that is consistent with the invitation design and wording. While you are obligated to reply, you do not have to give a reason if you cannot attend.

Spotlight on Marcardin Calligraphy

We sat down with Heather Brock of Marcardin Calligraphy to talk about her beginnings as a calligrapher and how she became inspired to start her own company. 

Q: “Marcardin” is such a unique name. Can you please tell us the significance of why you chose that name for your company?

HB: The name Marcardin is very dear to me because it is the name of an old family estate located in Shelbyville, Kentucky that belonged to us for over 150 years. Much like other homes and farms of that era, the estate was named by its builder, Mark Hardin. Fast forward to the early 1990s and my family was faced with the tough decision to sell it [Marcardin Farms] once my Great Aunt passed away. Most of the family memorabilia was kept in the attic; old letters and notes penned by ancestors, including those from my great uncle Mark Hardin, dated back to around 1856. All of the letters feature beautiful pen and ink calligraphy, and as an adult, the penmanship is my favorite thing to exist from that attic. I’m very fortunate to have such richly documented family history to reflect on. Marcardin, which was once known as Marcardin Farms, is now calligraphy for me.

Marcardin Estate
Mark Hardin’s Handwriting

Q: When did you first learn calligraphy and how did you know that you wanted to do it as a career?

HB: I was probably 10 or 11 when I picked up any sort of calligraphy pen for the very first time. I remember mastering (or so I thought I did) any instructional books I could get my hands on, but I moved on with other art mediums as I grew up. In my 20s I decided to pick up a pen again to learn the refined skill of pointed pen calligraphy in hopes to address my own wedding envelopes some day. When I realized how therapeutic it was to put pen to paper, I knew it was something I wanted to pursue for a long time to come.

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An envelope addressed to Marcardin Estate 

Q: How long have you been based in Kentucky? Do you have a wide client base in your area, or does most of your clientele hail from elsewhere? 

HB: I was born and raised (and still reside) in Louisville, Kentucky, so I’ve always stayed put. I am very fortunate to work with some of the absolute best wedding planners and designers in the city and state, so I do get a lot of referrals through them. I also serve nationwide, working with some stationers out of New York City and Los Angeles.

Q: We see that you offer a variety of calligraphy styles for your services. Do you think that there is an even split between interest in more traditional styles versus a more modern look? img_5198

HB: I would say nine times out of ten, my clients choose my Signature style. It’s definitely more modern, but it still gives that flourished feel that can be found in some traditional styles. I’m definitely more of a modern calligrapher; traditional calligraphy, such as Spencerian and Copperplate, can take decades to master. I certainly envy my calligraphy colleagues across the world who have the patience and skill set to achieve those writing principles.

Q: You have done beautiful work on everything from outer and inner envelopes, to escort cards and menus. How do you ensure that your pieces reflect overall aesthetic of the event?
img_0083HB: I love when I’m able to help design an entire invitation suite, so it can be printed or pressed in every which way. I like to start with my bride’s ideas of what she is thinking by getting inspiration photos from her. I’ll go through my series of questions which can turn into a few different pencil sketches before I put ink to paper. I then send my work to my go-to designer to do all the digitizing for me. From there, we meet to make sure everything is set perfectly for print.

 

 

Q: We were thrilled to work with you on pieces for a Dempsey & Carroll wedding recently. How did you first hear about Dempsey & Carroll? 

HB: I was so excited to finally get my chance to calligraph the beautiful paper from Dempsey & Carroll. I’ve seen it [Dempsey & Carroll’s paper] in many areas of the wedding industry, and have always heard great reviews from other calligraphers. The paper is exquisite and I am in love with everything from the texture to the watermark logo– It’s hands down my favorite to write on.

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Heather’s work for a recent Dempsey & Carroll wedding 

138 Years of Dempsey & Carroll

As we approach our 138th anniversary on August 28th, we look to our heritage and how we have carried on the tradition started by John Dempsey & George Carroll in 1878. From our first location in Union Square, to our current home on the Upper East Side, we have proudly stayed close to our New York City roots as we continue to create the highest quality of hand-engraved paper goods. The past few months have been exciting as we have ushered in new collections.

This spring, we launched our collaboration with FORM Design studio, a firm which “strives to be an arbiter of taste and holistic living, blending the line between what is beautiful and what sustains”. The unique pieces for this line were created with mixed media and inspiration from the Earth’s natural beauty.

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Pieces from our collaboration with FORM

This summer, we launched new lines from our continued partnership with F. Schumacher. It has been an honor to work with this storied brand as we combine our luxurious paper with the iconic designs of Schumacher’s fabrics. The Lansdale and Zanzibar collections have expanded our offerings to include matching journals and coasters to the boxed sets of correspondence cards. We also launched four bespoke lines in addition to the boxed products so that our clients can add new looks to their personal paper wardrobes.

Lansdale
Zanzibar

 

We have seen our collaboration with Hendrick’s Gin come to life this month with correspondence cards, coasters, hang tags, and a 2017 calendar. Hendrick’s Gin is produced in the small seaside village of Girvan, Scotland using a blend of spirits from two different antique stills. Our process of engraving paper has remained virtually unchanged since our founding and we continue to use the same equipment as we have since the 1800s. Both of our brands celebrate tradition while forging through the 21st century.

The Hendrick’s Gin 2017 Calendar

August has also seen the launch of our new lines with John Derian. Fabricated in his New York City Studio, Derian uses decoupage as a unique way to bring life to an assortment of home furnishings. Our new collections pair classic Dempsey & Carroll motifs with extraordinary designs from Derian’s archives.

JohnDerian_BlueCoral

John Derian Blue Coral

The excitement of our new collections reminds us to look to our history for inspiration. Dempsey & Carroll has transcended two centuries of incredible changes in the world. We have seen the leaps of technology and the rise of the digital age. As we head into the next 138 years, we look to one of our favorite quotes about why we continue our legacy of facilitating gracious living:

“The love of elegance and exquisite finish in stationery is no new love, but elegance and finish are not in themselves artistic, they are simply the last result of mere mechanical execution. We take especial pleasure, therefore, in calling attention to the work of Messrs. Dempsey & Carroll, who have earned for themselves the honourable designation of “Art Stationers.”

The Home Journal (Town & Country), 1879

We are thankful for our loyal clientele, as well as all of the extraordinary people who have come before us in building this brand. Cheers to 138 years of Dempsey & Carroll!

The History of the Calling Card

To honor our Annual Calling Card Event,  we wanted to share the history of the calling card and how its purposes have evolved over time. We hope that this piece inspires you to put your best card forward! 

History

Before the age of the telephone, the calling card (or carte de visite in French) had a significant role as a social tool. In the days when ladies might receive visitors during hours they were known to be “at home,” the calling card served to announce a visitor to the house. Thought to have originated in China in the 16th century, the calling card flourished in France and England before coming to America, reaching its heyday during the Gilded Age of the late 19th century.

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Function

A visitor would present his card to the butler, who would place it on a silver tray and, leaving the visitor to wait, take it to the lady of the house. Different corners of the card would be turned down to indicate the visitor came in person, or that the call was intended to express congratulations or condolence.

On an initial visit, a gentleman would give a card to the butler and leave; if the recipient wished to start a friendship, a card would be returned in the same manner; but no response or a card returned inside an envelope indicated the recipient did not wish the acquaintance to continue.

Although business cards existed, they were never used in social situations. Just as today it is usually considered rude even to ask a new acquaintance what he or she does to earn a living, the idea that a person might produce a card with business information in a social setting was inconceivable until the early twentieth century. So the calling card would have served that social function, and any information missing, or perhaps a short note, would often be written directly on the card.

Format

The most formal calling card format features only a person’s full name, complete with title: Mr., Mrs. or Miss. “Doctor” is spelled out, as is “junior.” A home address, as brief as possible, is sometimes added to the lower right corner of the card; men’s cards sometimes include the name of a club.CallingCardEvent-OrangeClutch-03-Edited

Traditional calling cards are always engraved, using only black ink, the finest paper stock, and one of a small selection of conservative typefaces. Interestingly, the ornate social codes of American Society developed standard sizes to denote sex and marital status. These “proper” sizes were in use well into the twentieth century, though today it is acceptable to throw these rules out the window and choose a size – or create a different size – that suits your taste.

 

Single Men:                                        1-9/16” x 3-1/4”

Married Men:                                     2” x 3-1/2”

Single women:                                   2” x 2-7/8”

Married women and widows:          2-3/8” x 3-1/4”

Married couples:                               2-1/2” x 3-1/2”

 

The Calling Card Today

 Calling cards, sometimes referred to as personal cards, are experiencing a renaissance, particularly among younger people, who change jobs more frequently and may want to present themselves socially with a less work-related face. Though a standard business card size is still popular for calling cards, a more unusual size may be a surprise to the recipient. Ink color and typeface are other ways to make the card have more personality. And today, there is sometimes more contact information put on the card; a cell phone number and personal email address are very common, as they don’t change when a person changes jobs or home addresses. Still, many clients prefer the simple elegance of engraving only their names on the center of the card.

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How to Use Your Calling Cards

Calling cards are the perfect “blank slate” for today’s social and business interactions. It is perfectly acceptable to jot a little note or a bit of information directly on to your calling card. For example, after a business meeting you might add your work email and hand it to a new acquaintance. After running into an old friend you might write “call me” and include your mobile telephone number. How you use your cards is entirely up to you. You should be comfortable and confident that your cards are a sophisticated reflection of your personality and are completely adaptable to any situation. Calling cards also make fabulous gift enclosures – simply write “Happy Birthday” or “Congratulations” on the card and enclose it with a gift.

We’re sure you’ll find hundreds of ways to use your cards. Be sure to visit our website or call us at 212.570.4800 to learn more!

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