The U.S Postal Service honors Oscar de la Renta

Fashion meets mail with the beautiful new stamps honoring fashion icon Oscar de la Renta. The official Dedication Ceremony on February 16th, 2017 was a momentous occasion that brought together people from all different industries in honoring the late designer. We were thrilled to attend the event, which featured remarks by Oscar de La Renta CEO Alexander Bolen, Former New York City Mayor Michael Bloomberg, Artistic Director of Conde Nast and Editor-in-Chief of Vogue Anna Wintour, and Secretary Hillary Clinton.

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Photo: U.S Postal Service

Janice D. Walker, Vice President of Corporate Communications for USPS, led the official stamp dedication and lauded de la Renta’s innovative designs and leadership in the fashion industry.

“Like Oscar de la Renta, handwritten letters never go out of style,” remarked Walker. The timelessness of handwritten letters rings true as we head into our 139th year as a proud New York company.

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(l-r) Alexander Bolen, Michael Bloomberg, Anna Wintour, Hillary Clinton, Janice Walker, Anderson Cooper (photo: Getty Images)

Following the ceremony, we had a chance to learn more about the stamp design process from Xavier C. Hernandez, a Communications Specialist and spokesperson for the USPS.

Can you tell us a bit more about who decides on the new stamps that are released?

 The stamp development team vets the ideas and does the design work, but the Postmaster General ultimately decides the next catalog of stamps for the year.

 During Anna Wintour’s speech, she exclaimed that de la Renta wasn’t a big letter writer, but how does the USPS see the connection between writing and fashion?

 The greater picture is that the Postal Service likes to honor American icons and their influence on American culture, especially for our commemorative stamp series.

 We’ve found that there is definitely a younger generation celebrating the art of letter writing in the age of emails and text messages. How does the USPS work to keep people interested in sending mail?

 There are so many great stamps out right now because we want to encourage people to write as many letters as possible. We have a JFK stamp coming out on President’s day and we just released new stamps for the Chinese New Year. We like to incorporate all different facets of American culture to be as inclusive as possible.

 It was incredible to see the turnout for this dedication event with people from all different industries!

 It’s wonderful to see a turnout like this for the official release of these commemorative stamp because our goal to bring everyone together. We are lucky that this wound up happening during Fashion Week so it has some relevance to timeliness.

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Thank you to the U.S Postal Service for the beautiful new stamps honoring Mr. de la Renta. We look forward to adding a fashionable touch to our envelopes!

Reply Cards Made Easy

Dempsey & Carroll’s Austin Ackles discusses the many forms that reply cards have taken on as modern wedding etiquette has evolved. We invite you to explore our wedding site to view our inspiration gallery and learn more about our offerings. 

Response cards are a relatively new addition to wedding suites. In the past, those invited would know to respond and would do so on their own engraved stationery.

 

Generally, reply cards come in two varieties.The simplest and most classic reply card might only have “The favor of a reply is requested” engraved along the bottom though most of our clients add a date, resulting in something like “Kindly reply by June 8th.”

 

Next, there are those reply cards that are more form-like with check-offs. Disliked by some, preferred by others who consider them more fail-safe, these cards typically have a minimum of four lines of text: The “M” serves as a prompt for the would-be guest to write her name, a line each to select “Happily accepts” or “Regretfully declines.”The last line usually includes the “reply by” date. reply-card-1

Depending on the arrangement with the caterer, a host may need to have check-offs for meal choices. If there are other events, separate lines may be needed for indicating attendance to those as well. At Dempsey & Carroll, we’ve done reply cards with over a dozen possible selections.

Keep in mind when hosting, the simplest reply card will get you the most novel responses back and they will make wonderful keepsakes. If you have creative friends, all the better!

Now It’s Your Turn To Reply?

Always remember that you’re addressing the host, not the guest of honor.

bermuda-reply-1For example: “Dear Mrs. Wilcox, I deeply regret that we will not be able to attend your daughter’s wedding but will most certainly be toasting from afar. Warmly, Helen Schlegel”

When replying, there are just two essential things you’ll be communicating: who you are and whether you’re coming or not. Consider using a tone that is consistent with the invitation design and wording. While you are obligated to reply, you do not have to give a reason if you cannot attend.

Our 2016 John Derian Collections

We have ushered in autumn with the exciting launch of our second collaboration with Designer John Derian. Our five new collections pair classic Dempsey & Carroll motifs with decoupage prints from Derian’s extensive archives. Some of our Dempsey & Carroll team members have offered insight into which lines are their favorites, though it is difficult to choose just one. We invite you to explore our 2016 John Derian collections so that you can discover your favorites as well!

Carolyn: “My favorite is the Fly Fisher. I love the color story, but most of all, I love how it can resonate with a consumer. For me, it reminds me of going fly fishing with my family inhp4-091216-derian-web Colorado and I’m sure it rings true for many other people all over the world!”

 

 

 

Lauren: “My favorite is Earth & Sky.  I love the colors and the round globe motif paired with the round map of the sky. There is a lovely balance between the latitude and longitude lines in the engraved globe and the colorful envelope liner– I love it! I am planning to order a set of 50 personalized.”

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Leo: “Earth & Sky is my pick. The celestial map envelope liner reminds me of a group of vintage prints that I have been collecting for years.  Astronomical maps seem to transcend time; at once modern and vintage.  The globe engraving is wonderfully detailed, a Dempsey & Carroll classic from the archive, and the gray engraving on white paper sets off a fresh mix and match with the envelope liner.”

Megan: “My favorite collection from the new John Derian collaboration is definitely Earth & Sky.  The stunning starry night liner coupled with the beautifully detailed engraved globe motif is a stellar combination to be used for any occasion.  I am already planning on having some on hand while I am traveling this Fall!”

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Evon: “I am most attracted to the John Derian Grand Tour Collection. The liner prints all display an excellent use of typography and color. Additionally, the crops of the liners are dynamic, providing just enough insight into these historic hotels, but yet still leaving much to the imagination.”

 

Ariel: “I really love all of the new John Derian products, but my personal favorite is Blue Coral. I have always loved spending time in Florida at the hp1-090116-derian-webbeach, and the stunning coral artwork brings back amazing memories from my family vacations”

 

 

 

Emma:” It is difficult to choose a favorite, but I am definitely favoring Tea Salon at the moment. I love how it pairs our classic tea cup motif with John Derian’s vintage Frehp1-091216-derian-webnch architecture-inspired patterns for the envelope lining. This collection brings back memories of living abroad in France, where afternoons were often spent studying in baroque-style salons de thé.”

 

 

 

 

138 Years of Dempsey & Carroll

As we approach our 138th anniversary on August 28th, we look to our heritage and how we have carried on the tradition started by John Dempsey & George Carroll in 1878. From our first location in Union Square, to our current home on the Upper East Side, we have proudly stayed close to our New York City roots as we continue to create the highest quality of hand-engraved paper goods. The past few months have been exciting as we have ushered in new collections.

This spring, we launched our collaboration with FORM Design studio, a firm which “strives to be an arbiter of taste and holistic living, blending the line between what is beautiful and what sustains”. The unique pieces for this line were created with mixed media and inspiration from the Earth’s natural beauty.

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Pieces from our collaboration with FORM

This summer, we launched new lines from our continued partnership with F. Schumacher. It has been an honor to work with this storied brand as we combine our luxurious paper with the iconic designs of Schumacher’s fabrics. The Lansdale and Zanzibar collections have expanded our offerings to include matching journals and coasters to the boxed sets of correspondence cards. We also launched four bespoke lines in addition to the boxed products so that our clients can add new looks to their personal paper wardrobes.

 

We have seen our collaboration with Hendrick’s Gin come to life this month with correspondence cards, coasters, hang tags, and a 2017 calendar. Hendrick’s Gin is produced in the small seaside village of Girvan, Scotland using a blend of spirits from two different antique stills. Our process of engraving paper has remained virtually unchanged since our founding and we continue to use the same equipment as we have since the 1800s. Both of our brands celebrate tradition while forging through the 21st century.

August has also seen the launch of our new lines with John Derian. Fabricated in his New York City Studio, Derian uses decoupage as a unique way to bring life to an assortment of home furnishings. Our new collections pair classic Dempsey & Carroll motifs with extraordinary designs from Derian’s archives.

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John Derian Blue Coral

The excitement of our new collections reminds us to look to our history for inspiration. Dempsey & Carroll has transcended two centuries of incredible changes in the world. We have seen the leaps of technology and the rise of the digital age. As we head into the next 138 years, we look to one of our favorite quotes about why we continue our legacy of facilitating gracious living:

“The love of elegance and exquisite finish in stationery is no new love, but elegance and finish are not in themselves artistic, they are simply the last result of mere mechanical execution. We take especial pleasure, therefore, in calling attention to the work of Messrs. Dempsey & Carroll, who have earned for themselves the honourable designation of “Art Stationers.”

The Home Journal (Town & Country), 1879

We are thankful for our loyal clientele, as well as all of the extraordinary people who have come before us in building this brand. Cheers to 138 years of Dempsey & Carroll!

New Schumacher: Lansdale vs. Zanzibar

July has been an exciting month at Dempsey & Carroll as we debuted the latest lines from our collaboration with F.Schumacher & Co. We are thrilled to introduce the Lansdale and Zanzibar collections of boxed correspondence cards, drink coasters, and journals. The Lansdale collection features vibrant hues of pink, green, and orange, while the Zanzibar Collection features chic gray tones of florals.

Now we pose a question: are you Team Lansdale or Team Zanzibar? Head over to our website to see for yourself! Here are thoughts from some of the Dempsey & Carroll team on their preferences so far:

LansdaleBouquet-JournalAriel:  “I prefer Lansdale because I love the splash of color. The print tells a summer story and definitely has a fun personality. The colors remind me of a lakeside sunset in the summer.”

Megan:  “I’m Team Lansdale and the journal is my favorite.”

DSC04707_web Alyssa: “I love how colorful and fun the Lansdale journals are while still remaining timeless”

 

Austin:  “This is tough because I love color, and I love the color in the Lansdale pieces, but I get totally lost in the Zanzibar collection. My very dry gimlet would sit perfectly on one of those Zanzibar coasters (though not for too long)!”zanz coasters blog

Emma: “I am Team Zanzibar because of how the pattern makes an impression while being subtle at the same time. The coasters are a must-have for my bar cart!”

Carolyn:  “I’m Team Zanzibar. I love the journal! It’s perfect for meetings, notes on the go, or a quick sketch. I love the neutral palette – it’s great for people who shy away from color, but still has a playful tone through the pattern.”

Leo: “Zanzibar for me. I’m thinking 5 or 6 of the notebooks will find their way to my gift shelf– easy chic for any lady.”

Evon: “Although both are great, the color tones throughout the Zanzibar lends to more versatility and potential outside pairings, if desired.”MMI-072516_Schumacher-web

Spotlight on Leo Mascotte, Part II

Austin Ackles sat down with Creative Director, Leo Mascotte, to discuss more of his favorite Dempsey & Carroll wedding suites. 

AA: This wedding took place on a family property in Old Chatham and we drew a marvelous tree the couple was to be married beneath. (The resulting steel engraving die was a sculpture in and of itself!) What makes this wedding suite one of your favorites? 

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LM: Old Chatham’s charms, to no surprise, are notably old school.  This Columbia County hamlet oozes classic Yankee Town & Country charm, and is home to one of America’s most storied fox hunts, The Old Chatham Hunt Club.  The blind engraved tree motif could not be more inspired.  So too the navy blue and white color palette, classic and crisp, yet decidedly modern for a wedding.  These colors perfectly set the stage for this type of “Down East” event.  As does the Chevalier font, as naturally handsome as the chocolate labs I imagine sleeping under the couple’s table.

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I Would happily take odds that the weekend felt like a trip back to a cherished campus. The Groom and groomsmen in navy blazers, with Hermes ties chosen to recall shared sport. Radiant and crisp in Oscar de la Renta organza, the bride, seemed to be the source of the reception tent’s glow.  Her mother, effortlessly triumphant spending an evening at home amongst abundant flowers, planned to appear picked from the property’s gardens.

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AA: This wonderful couple was married in the bride’s grandmother’s garden just outside Melbourne, Australia. They loved the watercolors from our Mark Ingram collection (which we used for their save the dates) and they wanted to incorporate them into their wedding suite. I think the colors are delicious! 

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LM: Tasty indeed, the palette reminds me of tea at Laduree, in Paris.  The pale pistachio walled salons filled with a dazzling array of pastel tinted macaroons.  The wedding stationery is kept from getting too sweet by the underlying hint of rich ochre in the custom sand colored ink.

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Attention to detail here is remarkable.  Each piece of the extensive suite was engraved, such a wonderful and increasingly rare touch.  Rarer still, each item received edge treatment using a custom pale french pink.  The invitation is set apart by it’s exquisite beveled edge.  My favorite touch is named Henry B. the couple’s beloved Labradoodle.  He sits atop the reply card, bestowing a welcoming glance encouraging all to join.

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AA: How we love a perfectly-sized New England church wedding and then a celebration afterwards at a yacht club! This wedding suite is one in a series that is a variation on a very classic theme. How do you see it reinvented this time?

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LM: I love the look of this suite almost as much as I revere the venerated yacht club where it was held.  This group sets up a carefully balanced interplay of established forms set off against modern elements.  A generation ago this piece would have been printed on a folded sheet.  Today so rarely used, the foldover’s scarcity may as well predict it’s return to favor.  Here, a stiff Embassy card reflects the current currency of chic.   This nod to today is set in contrast to timeless Italian script.  For me this font remains, the unassailable definition of impeccable old school elegance.   The suite’s painted edges are left un-beveled, at once old school handcraft, and not expected.  The rich pewter ink color manages a similar duality, with Commodore worthy aplomb.

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AA: Dempsey & Carroll has this long running creative partnership with the legendary firm, Schumacher, and this is a beautiful example of our collaboration. The font here feels old and new to me at the same time. What is it that makes this invitation suite at once breezy and stately?

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LM: This celebrated print “Birds & Butterflies” was based on a hand printed 1960’s wall covering found in Schumacher’s archive.  Available as both a fabric and wallpaper it has a lovely density that never overpowers.  Set amongst charmingly drawn foliage, rendered in spare black on white, a flock of colorful creatures takes flight.

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The Open Antique Roman font almost seems to have been picked from amongst the fabric’s vines.  The letter forms have a polished yet unfussy 1930’s feel.  Designer Thomas O’Brien coined the phrase “Vintage Modern” which seems to describes this Schumacher print, the  and this this suite perfectly.  I can think of no better way to mark a marriage in Millbrook, NY.  Very top drawer.

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Spotlight on FORM

Dempsey & Carroll’s Benjamin Manno sat down with the team from Form to talk about design and what inspires them. 

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BM: FORM taking function. How important is this concept to you when you begin working with a client? Have you ever had requests so “out of left field” that you had to sacrifice one for the other?

FL: The dance between form and function is never-ending. Frequently, at the outset of a project, one will take the dominant role according to the client, the scope of the project, or the voice of the space, itself. We believe that if you really listen, the “best” balance for a project can be achieved. We once had a client who had spent a lot of time dreaming of the ultimate shower for personal grooming—one that included a sink and full-length mirror. After communicating that a shower is essentially a temperature regulated water source with a drain, and that a sink would be redundant, he acquiesced. In terms of the mirror we were able to talk him down from full-length to something more modest that played well with the large format tile. Mirror is always tricky in a shower, as it will degrade over time due, to the moisture. We also had a client who had her heart set on the largest possible opening between her first floor and her back yard so she could maximize the family’s indoor / outdoor living experience. In the end, the door solution she could afford—while maintain the largest possible opening—was going to take up so much depth that the living room fireplace would be displaced from center. We made our case and lost. Somehow this didn’t seem to bother her.

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BM: Who do you admire? What is it about them that inspires you?

FL: In design and artistically we are often inspired by Tony Duquette. A true original, Tony Duquette designed boldly and fearlessly, creating iconic lighting, sculpture, textiles and spaces that live on today. Hutton Wilkinson, Tony’s business partner who now carries the Duquette design legacy says, “If it’s not fabulous, it’s meaningless” and we tend to agree.

It is people who have lived, and do live, with this kind of honest abandon whom we admire most.

We are also absurdly fond of Mexican architect Luis Barrágan’s; his maniacal use of restraint in color, scale and proportion, creates some of the loudest minimal environments and prove that, in fact, editing is everything.

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BM: West Coast vs. East Coast? The ultimate throw down. Who has the most brilliantly challenging spaces to create?

FL: We are in no way looking to be the Switzerland of design, however, we approach each project—regardless of location—from a unique perspective, such that brilliant challenges are ever present. Having said that, most Manhattan projects do present a specific set of parameters from the get-go and make scale and installation critically important to the conceptualization process.

BM: Where does sustainability and environmental consciousness swirl in to your work? How do you go green?

FL: We recently shared a flight with an owner of some of the world’s most prestigious caviar farms. When I [Josh] asked about his “farming” practices, in terms of the holistic quality of his caviar, he answered with the following; “We value the life of our fish first, the environment second, and the quality of our product third. Ultimately, we believe that if we are abiding by the first and second values, the third takes care of itself.” Not that it is a direct correlation, but we practice design much in that same way.

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BM: Dempsey & Carroll was honored to support your efforts for the 2015 Red and White Ball that raised relief funds for the Red Cross. What was the inspiration behind your stunning table design?

FL: Thank you so much. Dempsey & Carroll’s participation in our Red Cross 2015 Red and White Ball table design was truly the béarnaise on our filet. We were giddy when you said “yes” and the design process was absolute heaven (insert tongue-out wink emoji). The inspiration for our table design stemmed from this year’s gala theme of “hope.” As we pondered the Red Cross and the impact they make on our planet, we thought about how, at the simplest level, they represent people working together to create second chances. We translated this into our design with a centerpiece comprised of three wire frame red sculptures that we joined by a single headdress of monarch butterflies. The butterflies are the “hope” in our design and they played beautifully together throughout the various elements of the table design, including the stunning custom “Thank You” cards that Dempsey & Carroll created and so graciously donated.

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